Midnight Movie Madness 50 Movie MegaPack (DVD/Digital)

mmdvdFor movie buffs and collectors looking to gather up some classic schlock and silly horror films, “Mill Creek Entertainment” brings us a 50 Movie MegaPack DVD Set of some their worst and most infamous horror films. Thrown in to the mix, there are some science fiction, juvenile terror movies like “I Accuse My Parents,” and even the George Hamilton starring “Evel Knievel.” Further digging in to the selection of fifty titles, there’s 1944’s “Delinquent Daughters,” the Francis Ford Coppola horror classic “Dementia 13,” the slasher “Driller Killer,” and 1977’s “Drive In Massacre.”

There’s the deliriously bad but hilarious science fiction action film “Future Hunters” starring Robert Patrick, and Bruce Le, William Castle’s fun “House on Haunted Hill,” the early Brandon Lee starring stinker “Laser Mission,” the classic MST3K spoofed “Manos-The Hands of Fate,” the so bad it’s great drug hysteria movie “Reefer Madness,” the goofy science fiction film “Slipstream,” the classic dwarfsploitation movie “The Terror of Tiny Town,” and the Fred Williamson post apocalyptic science fiction film “Warriors of the Wasteland.” All movies come packed in a cardboard box by Mill Creek and in paper sleeves. I have to say I miss the plastic clam cases, but maybe it’s a cost thing.

This year movie collectors might enjoy knowing that Mill Creek Entertainment has taken to the digital world, allowing their consumers to redeem their fifty megapack purchases for digital libraries for their laptops, cell phones, and Ipads. Much like every other home release, the consumers will be given a unique code with their purchase, allowing them to redeem their movie packs in digital form at Mill Creek’s new service Watch.MillCreekEnt.Com where they can watch them, stream them, or download them.

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Bad Moon (1996) [Blu-Ray]

BadMoon-Blu-rayEric Red’s “Bad Moon” is a brutally underrated werewolf movie that, much like “Fright Night,” takes a classic Hitchcock movie and twists it to his own conventions. “Bad Moon” is a take off of “Shadow of a Doubt” where a sister is forced to confront her beloved brother’s evil side and realize that their once picturesque relationship was a complete lie the whole time. “Bad Moon” comes in at a little under eighty minutes, but is a tight and brisk horror thriller that is very well written and directed. Granted it has some of the special effects trappings of the nineties with a somewhat weird werewolf transformation, but at least director Red tries his damndest to show pure evil lurking within the heart of a once good man.

“Bad Moon” stars Mariel Hemingway as a tough as nails lawyer and single mother Janet. She lives alone with her son Brett and his over protective German Shepherd Thor. Thor is an especially close guardian of his two owners who is smarter than an average watch dog and seems to know much more than any dog on planet Earth. After Janet re-connects with her long lost brother Ted, she and her son Brett, along with Thor visit him to learn he’s kind of falling apart and isolated after his travels. Before they reunited, Ted was attacked in Nepal by a vicious monster that wounded him before he murdered it in self defense. After local hikers begin turning up dead, Ted moves in with his sister Janet and soon he begins forming an adversarial relationship with their guard dog Thor.

Despite Ted’s best efforts to remain secretive and cryptic with his sister and nephew, Thor is very suspicious of Ted and begins lurking in his trailer and following him around. This prompts Ted to try and devise a new way to be rid of Thor, before he helps Janet and Brett find out his ultimate secret as a werewolf. Michael Pare is a wonderful villain, who begins the narrative as charming and very well meaning, but begins to sour gradually as he realizes Thor isn’t just a passive family pet. The performances all around are fantastic, especially by dog performer Primo, who plays the protective guardian Thor. Thor is a remarkable guard for his family who looks for ways to warn them, as Ted becomes increasingly dangerous and comes to the realization that the only way he can protect himself is by eliminating Janet and Brett from his life.

Michael Pare does a damn good job as villainous Ted, working hard to convey a sense of rotted humanity within him, doing the work until Red reveals the werewolf in the light, and then the bang up special effects complete the transformation. Considering the budget and period, the special effects and monster of “Bad Moon” still looks incredible in motion and Red’s strong direction matched with the excellent editing offer up a wonderful climax you’ll have a difficult time being sucked in to. It’s a shame “Bad Moon” gets looked over in the annals of great werewolf movies as Eric Red provides a thrilling, exciting, and creepy horror movie soaked in a simple family drama.

The Blu-Ray release from Scream Factory comes with the theatrical edit and director’s cut of “Bad Moon.” The difference is a mere thirty seconds, where there’s slightly more gore and nudity in the prologue, while director Red trims down the digital transformation in the climax. The Director’s Cut comes with an audio commentary with director Eric Red alone, who provides an informative session here. He discusses everything from the screenplay, casting, and effects work, right down to cutting most of the digital transformation. The Theatrical Edit comes with an audio commentary with cast member Michael Pare, director Eric Red and John Fallon of Arrow in the Head.

It’s an okay commentary with Pare and Red being the highlight. Both cuts come with “Nature of the Beast: The Making of ‘Bad Moon’” a thirty five minute informative look at the making of the film, with interviews from the cast and crew, and how Eric Red became involved with the film itself. There’s the unrated opening sequence, clocking in at six minute, which establishes the location and gives Ted’s girlfriend a little more exposition before the sex scene. There’s the Transformation Sequence Storyboards, The Storyboards for the climactic fight between Thor and Werewolf Ted, Storyboards for Ted and Thor staring each other down, and finally the original trailer for “Bad Moon.”

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The First Monday in May (2016)

Forget about the “Ghostbuster” broads – the funniest woman on screen today is Anna Wintour, the Vogue editor-in-chief, who steals the show in Andrew Rossi’s documentary on the creation of the 2015 “China: Through the Looking Glass” exhibit at New York’s Metropolitan Museum of Art.

Okay, Wintour is not trying to be funny in this film. In fact, she gives the impression that she has no sense of humor. But the woman’s overwhelming sense of self-importance, the exaggerated majesty that she receives – she travels with a small army of sycophantic babes and mincing queers, and her every word is absorbed with near-religious mania – and her impatience at anyone that fails to achieve her goal of glamour can inspire laughs for those with a delightfully cruel sense of humor. And, of course, there is her style: a clunky helmet of a hair, sunglasses that are two sizes too big and a garish wardrobe that would have embarrassed Phyllis Diller. For someone who is supposed to be an infallible expert on what’s chic, the real-life Wintour is more hilarious than the make-believe Wintour played by Meryl Streep in “The Devil Wears Prada.” (And, yes, some clueless reporter asks Wintour about that vehicle – her attempt to conceal contempt while offering a well-rehearsed diplomatic response is priceless.)

As for the rest of the film – well, let’s just say that it offers a none-too-flattering view of the cultural insensitivity and burdensome vanity that goes into simultaneously mounting an exhibit on Chinese-inspired Western fashions while setting up the museum’s annual Met Gala that is chaired by Wintour. (That is the event where starlets and singers vamp the red carpet while wearing outlandish gowns for the benefit of celebrity tabloids.) For people that may believe museum administrators are sophisticated and erudite, this grueling and lethargically paced portrait of ego, flattery and jittery planning skills will be quite an eye-opener – provided  you don’t fall asleep during the film’s Wintour-less moments.

Five Websites to Find The Best Short Films

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Pixar short “Piper.”

Never underestimate the power of the short film. Short films have become popular over the years that they’ve resulted in immense respect and success for their directors and respective shorts, paving a very seasoned career for most. Everything from Oscar nominee/genre favorite “District 9,” Guillermo Del Toro fueled horror film “Mama,” and (to a much lesser extent) “Pixels,” were adapted from successful short films, while genre directors like Fede Alvarez began his career directing acclaimed short films.

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Hunt for The Wilderpeople (2016) [Fantasia International Film Festival 2016]

WILDERPEOPLEDirector Taika Waititi has a keen and admirable understanding of humanity as well as the relationship with death and loss we have every waking moment of our life. Whether it’s a gory horror comedy like “What We Do in the Shadows” or a family drama like “Hunt for the Wilderpeople,” Waititi is never above examining our everlasting relationship with death that begins when we’re very young. “Hunt for the Wilderpeople” is destined to be a classic drama comedy that pits two men against the wilderness in their efforts to make sense of life and come to terms with death.

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The Toxic Avenger (1984) [Fantasia International Film Festival 2016]

toxicavengerThe character that helped build Troma in to the company we know and love it as today, is still a wonderful and fun anti-hero who finds himself dropped in to fate’s door after a mean prank pulled on him one day. In Tromaville New Jersey, Melvin is a young janitor for a local health club dominated by a pair of muscle bound bullies. By day, the bullies roam around the club taunting Melvin and hanging around with their busty girlfriends, but by night they’re vicious hit and run murderers that take joy in killing children and helpless animals. After Melvin accidentally runs afoul one of the bullies, his girlfriend invites Melvin to a private rendezvous on the condition he wear a pink tutu.

After realizing he’s been the victim of a prank, Melvin crashes through a window and falls in to a drum of toxic ooze. Disfigured and transformed in to the muscle bound Toxic Avenger, he roams the streets of Tromaville murdering criminals and rapists, and laying down the law with his handy mop. Despite the very low budget, “The Toxic Avenger” works as a simultaneous superhero action tale and monster movie. A lot like “Robocop,” Troma’s superhero gets the job done in the most violent manner possible.

Michael Herz and Lloyd Kaufman are never above being as splatterific as possible, showing off a ton of gruesome moments including Toxie taking off a thug’s nose, and tearing another’s arm clean off. Of course a lot of the movie doesn’t reserve the grue for the bad guys, eliciting genuine cringe inducing moment when Melvin is turned in to the Toxic Avenger. Even for an indie film in 1984, the sight of Melvin’s skin pulsing and bulging from the toxic waste is grotesque and you hate to see such a goofy protagonist be reduced to this monster. Toxie is kept in the dark for most of his introduction, as he begins feeling his way around his strengths and weaknesses, and realizing his mutation allows him a chance to fight evil.

He begins to take on the bigger nemesis when he realizes the local police force is run by a corrupt chief and his sergeant whose attitude is very Nazi like. Herz and Kaufman give Toxie some time to even fall in love with a beautiful blond girl, and do battle with the villains from the gym. “The Toxic Avenger” is still a fun and off the wall action horror movie with its own twist on the superhero sub-genre. Leave it to Lloyd Kaufman and Michael Herz to take typical superhero tropes and twist in to something wonderfully gruesome and absurd.

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Geist (2016)

GeistFrom Giant Animation Studios comes “Geist,” a magnificent and eerie animated film that explores the fall out from a tragic event and how one man comes to terms with it. Brought to life with amazing computer animation and marvelous visuals, “Geist” centers on a lone sailor who, after a ship wreck, finds himself lost in a vicious storm. When he finally finds a small cottage on a hill he seeks refuge for the night, hoping to regain his senses and warm up.

But all is not what it seems within the cottage, as someone or something else lurks in the dark crevices of the house, prompting the sailor to go looking for his watcher before it’s too late. Before long, he begins remembering his ill fated ship wreck and what brought him to the island initially. Directors Alex Sherwood, Ben Harper, and Sean Mullen create a vivid and very eerie short film that doesn’t rely on jump scares or shocks. It’s instead very reliant on the mood and blankets of darkness to keep the mystery of the unknown the most terrifying aspect of “Geist.”

The trio of directors relies on the unseen and unknown until the very end where our true view of what’s unfolded is a tragic glimpse at the concepts of fate, and destiny. I can’t say enough about the wonderful animation pulled off by Giant Animation Studios who build a very vivid world and dreamlike landscapes surrounding our character that may or may not be natural at all. Whoever says animation is only for kids and families really has never seen what indie filmmakers can do with bold ideas and complex themes about loss and death.