When it comes to children’s television, networks and studios tend to get weird and air specials out of desperation. Often times it’s to test for a potential audience, which is why we got “Legend of the Hawaiian Slammers,” and other times it’s apparently to fill dead air; which is why we got “Ghosts of Fear Street” in 1997. I remember a lot about 1997, and my Friday nights typically was devoted to the scattered remnants of what was once ABC’s TGIF line up. For those final years we didn’t have much save for the last death gasp of “Boy Meets World.” Say what you want about the series, but those last seasons are terrible. There seems to be no record of “Ghosts of Fear Street” ever having existed. Save for some TV listings, and occasional screen caps, this isn’t even included in the resumes of its cast that include the lovely Azura Skye, and Alex Breckinridge, and the always odd Red Buttons.
Little Shop of Horrors (1986)
I really enjoy what director Frank Oz does with “Little Shop of Horrors.” Rather than simply ignoring the cheesiness and camp value of the original, he embraces it. He also injects a pulpy comic book atmosphere, along with sixties pop and soul that compliments the tale perfectly. While I’ve always had a weak spot for Roger Corman’s original, Frank Oz succeeds in giving “Little Shop of Horrors” the campy adaptation that it deserves with a brilliant cast, and great tunes. This is a movie that always played on local TV as a kid and I always ignored it for reasons I don’t quite remember. In either case it’s no masterpiece, but it’s a fine and fun horror comedy.
Star Rick Moranis plays Seymour Krelborn, the workaday loser in the slums of his city who works at a flower shop. After fawning over his co-worker Audrey, he decides to take some initiative after financial concerns from his boss and brings in a rare flower. The flower was hit by lightning during a solar eclipse, and Seymour immediately buys it for the sake of the novelty. After pricking his finger, he realizes the plant is alive and hungry for human blood. Soon enough the need for blood transforms in to hunger for human meat, and Seymour must either feed the plant, or lose it and his fame. Nicknamed Audrey II, the vicious plant that turns in to a villain for Seymour, is a wonderful monster. The puppetry matched with Levi Stubbs’ performance make it a menacing foe that is so much more dangerous than it initially looks. Moranis plays Seymour as a mentally unbalanced but very desperate loner who is in love with Audrey and finds she is incapable of being with anyone but her abusive boyfriend.
Steve Martin as Orin Scrivello pretty much steals the film for the screen time he’s given as an over the top biker who works as a dentist for the thrill of torturing patients. Martin is hysterical in the role of the heel, and he even shares a hilarious scene with Bill Murray as the masochistic patient anxious to be tortured. Along with Murray and Martin, there are some great cameos by John Candy, Jim Belushi, and Christopher Guest, all of whom lend a high comedy pedigree to Moranis’ already charming performance. Keeping the film ironic and somewhat meta is the excellent musical numbers, all of which serve as a means of forwarding the narrative, and occasionally challenging the motives of Seymour and his man eating plant. The trio of Tichina Arnold, Tisha Campbell and Michelle Weeks are impressive, delivering some excellent musical numbers of their own, including the opening title track. “Little Shop of Horrors” is a pulp pop twist on the original Roger Corman horror comedy that’s funny, fun, catchy, and well worth its reputation.
Legend (1985)
I would really only suggest “Legend” to the hardcore fantasy aficionados. It might even be a little too heavy for “Lord of the Rings” fans. As a kid I loved watching what Ridley Scott gave movie fans, but I never quite understood it until years later. Scott touches on some heavy concepts both philosophical and spiritual, and he does so with a palette of monsters and unicorns. Director Ridley Scott composes a rather brilliant and dark fantasy epic about the concepts of light and dark, and good and evil. In truth, “Legend” is a twist on the tale of Adam and Eve, except with more fantasy, magic, and monsters.
City of Rott (2014)
F. Sudol follows up his gritty and disgusting animated zombie thriller “City of Rott” with a sequel that’s now computer animated, wider in scope, and continues the narrative of the original. Sudol seems to have an interesting fascination with rogue warriors and the elderly, propping much of his heroes up in the same molds, and a refreshing change of pace from the typical sexy warriors we see in post apocalyptic entertainment.
247°F (2011)
Man, is “247°F” ever a rough experience. And not just because directors Levan Bakhia, and Beqa Jguburia pay homage to Rob Zombie’s “Halloween” movies by casting Scout Taylor Compton and Tyler Mane in one movie. But mainly because what should have been a disturbing, claustrophobic and suffocating horror thriller really is just a mediocre movie where once again stupid people turn on each other rather than think rationally and try to think of a solution. For reasons I still can’t figure out, writers Levan Bakhia, and Beqa Jguburia start the film off with a prologue giving us only one crucial bit of information we need to know about Compton’s character Jenna. She’s claustrophobic.
After a vicious car crash took the life of her boyfriend, she was pinned in her car for a long time, giving her claustrophobia. Remember that. She’s claustrophobic, the writers have to insist we remember. Truthfully, a lot of what occurs is made even worse by sheer human stupidity and failure to grasp any kind of common sense. When the story fast forwards, Jenna tries to move on by going on a vacation with her three long time friends in order to re-charge. After a lot of clunky exposition, the writers place great emphasis on the sauna that Tyler Mane’s character Wade has in his basement. Seriously, he has a hot box capable of frying someone alive in the basement. And the doors are made of wood, which initially made me theorize the door would swell shut locking the poor saps in.
Mane’s character Wade is one of the stupider of the bunch, feeding his residents moon shine, and allowing them to roam free without checking up on them. So in the midst of one of their spats, character Michael drunkenly stumbles out of the sauna, and his three friends are trapped inside, left to fend for themselves. Oddly enough, the sauna is given significant screen time in an effort to give it an ominous presence. Really you’re just left wondering why the group keeps going in to the lake, and running back in to the sauna about four or five times. What’s the point of this repetitive montage? In either case, three of the friends are left in the sauna to roast as Jenna really does nothing but moan, whine, and whimper in a corner, as friend Renee instantly begins freaking out, and the only intelligent character Ian does nothing but instill fear in the other victims.
Really? Should you describe what heat stroke is like to two girls hyperventilating in a sauna? And would it have been so tough to just sit and wait for Michael or Wade to come down and check the sauna? It’s made perfectly clear the group loves the sauna, so eventually Michael would have gone down to steam for a bit. Surprisingly, what should have been the anti-“Frozen” really doesn’t accomplish its sense of turmoil and horrific suffocation, and that’s mainly because of the terrible writing. The characters are despicable so there’s zero empathy, and the directors don’t really indicate visually how much these people are suffering.
Besides, knowing they’d eventually be discovered ruins any suspense. There’s also a really awkward focus on character Wade as the directors seem to be padding out Tyler Mane’s role for more prominent screen time. You think it’s leading somewhere, but it’s just a clumsily staged plot device to add an obstacle to the characters’ fight for survival. The only competent performances are by Travis Van Winkle and Tyler Mane, both of whom are likable and interesting in their performances. Compton still is a terrible actress, so her “tragic” character just feels whiny. The directors try to become metaphoric injecting some hallucinations and attempts to signify Jenna’s torment, but it’s just one big misstep after another. If you have to see “247°F,” see it for Christina Ulloa. You can skip everything else.
Machine Head (2014)
Jim Valdez’s “Machine Head” is a triple threat. The acting is abysmal, the directing is bush league, and the writing is incoherent nonsense. And what’s worse is the movie seems to be competing with itself to see which aspect is worse than the others. This results in a nearly unwatchable and putrid horror film that has no idea what it wants to be. Sometimes it’s a thriller, sometimes a slasher, and sometimes a road horror film in the vein of “Duel.” Truly, when you see the final scene that book ends this tripe, you’ll laugh, roll your eyes, and move on to something worth your time.
The 5 Best Times (So Far) Rick Grimes was a Bad Ass on “The Walking Dead”
It’s no secret that Rick Grimes is our favorite character of both “The Walking Dead” original comic book and the loosely based hit TV show. Grimes is an average man on a somewhat typical job who turns in to a savior for many people trying to survive amidst the walking dead. In the show, Andrew Lincoln portrays the character brilliantly, and over the course of four seasons has managed to evoke the warrior from Rick Grimes. Season four gave us full view in to the warrior that fans already know from the comic books, and hopefully season five is full of more banner Grimes moments.
Here are five moments Rick was a pure bad ass in the television series from season one down to season four. What are your favorite (or your own favorite character from the show’s) moments? Let us know below!





