Your attitude toward “Dark Skies” depends on whether or not you want to see a remake of “Signs.” In reality, the entire movie is one big reworking of the M. Night movie sans the religious overtones. There’s the disjointed family, the bonded siblings, the static laden communication devices, the doe eyed youngster who can sense the aliens, the barking family dog, and there’s even an awkward dinner where the dad begins sharing stories about his children. And yet, despite the obvious derivations from the aforementioned M. Night film, I really enjoyed “Dark Skies” through the very end.
Darkman (1990): Collector’s Edition [Blu-ray]
Leave it to Sam Raimi to take lemons and make batshit crazy insane lemonade. Pulling a George Lucas, “Darkman” was once the efforts from Raimi to adapt “The Shadow” on the big screen. When that fell through, he created his own superhero, a demented horror oriented avenger named Darkman. And he’s about what you’d expect from the man who gave us Ashley Williams. Liam Neeson gives a very entertaining turn as Peyton Westlake, a scientist who becomes the unwitting victim of a mob scheme. After Peyton’s fiance Julie discovers a document that can incriminate her boss in his efforts to develop land over the deserted docks, Peyton is tortured by local mob boss Robert Durant’s gang and murdered.
Alien Abduction: Incident in Lake County (1998)
For an early specimen of the found footage sub-genre, “Alien Abduction” is surprisingly solid. It’s cheaply made, confined to one setting, and the acting is dodgy, but its execution is creepy and many moments reflect what would become common imagery in future found footage movies like “Blair Witch” and “Cloverfield.” Back before the internet, viral videos trickled in to underground collectors’ circles and even networks that sought out to convince audiences of their realism. “Alien Abduction” is a film desperately trying to convince audiences it’s a real document, and back in 1998, you’d believe it was a groundbreaking chronicle of a family facing aliens.
Grave Halloween (2013) (DVD)
See kids, that’s why whenever you want to honor someone’s memory, sometimes a symbolic ceremony works better than getting lost in woods haunted by demons. You don’t always have to do what dreams tell you to. Despite some flaws in the narrative though, “Grave Halloween” is a solid horror film. It’s a little bit of “Evil Dead,” and a little bit of “Blair Witch” thrown together for a pretty entertaining ersatz Asian horror picture. Albeit one that’s only given the Halloween tag because character Maiko has to commit the ceremony Segaki for her mother, which happens to fall on Halloween.
Disaster L.A.: The Last Zombie Apocalypse Begins Here (2014) [Blu-Ray]
“Disaster L.A.” actually seems to be going for something in its prologue and set up. It props itself up as a disaster film with zombies thrown in for good measure, and for the most part the big doomsday event is grim and creepy. Then the writers completely switch to auto drive unfolding a movie that’s just a shameless regurgitation of “Cloverfield.” The hero of our tale is having a party before said big event, his ex-girlfriend shows up with her new boyfriend, they bicker, she leaves, big event, and now boyfriend pledges to go across the city to find her as the military threatens nuclear strikes. There’s even the tragic brother dynamic like the aforementioned film. It’s sad considering this is from the director of “State of Emergency” which I actually loved.
Men in Suits (2012)
Director Frank H. Woodward’s “Men in Suits” is one of the best film related documentaries ever made. It’s an insightful and entertaining look at a rarely covered corner of Hollywood that’s gone unnoticed and uncredited since the beginning of film. “Men in Suits” is a fantastic chronicle of the facet of Hollywood films revolving around men that dress up as monsters for horror, fantasy, and science fiction, and bring to life many of the most iconic and horrific monsters ever put to film. Woodward chronicles how the art form began in the golden age of filmmaking, and has become something of a rare form of performance art in the era where studios are dependent on CGI and polygons.
State of Emergency (2010)
I always think that if an independent filmmaker is going to make a zombie movie, focus on characters if you can’t deliver hordes of flesh eating zombies. While I’m not sure how director Turner Clay approached the script initially, “State of Emergency” is sparse on zombie carnage, but rich in human drama and characterization. Most of “State of Emergency” focuses on a small cast of survivors trying to wait out the zombie apocalypse, and how they deal with their day to day activities. Whether its boredom, restlessness, and desperation for help, director Turner Clay unfolds his narrative wisely, adding an ominous presence to his zombies, while also transforming our protagonists in to characters we can root for, and empathize with.





