Tag Archives: Animation

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The Bootleg Files: The Crunch Bird

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BOOTLEG FILES 758: “The Crunch Bird” (1971 Academy Award-winning animated short).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: It was part of a Goodtimes Home Video VHS release at one point.

REASON FOR BOOTLEG STATUS: It seems to have fallen through the proverbial cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Only in an anthology of Oscar-winning shorts.

Here is a great question for Oscar trivia buffs: which Academy Award-winning production had the shortest running time? If you are reading this column, the answer is a bit obvious: it is “The Crunch Bird,” the 1971 winner of the Best Animated Short Subject Oscar, which only ran a mere two minutes.
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Tom and Jerry (2021)

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Warner Animation props up the long rotted corpse of “Tom and Jerry” long enough to produce what I’m sure they hoped would be a blockbuster big screen adaptation. For a series that’s been languishing on video store shelves with cheaply made, watered down animated movies for years, it’s not a surprise that “Tom and Jerry” is about as bland as ever. It’s also not at all surprising that Tim Story is the man called on to deliver such an inoffensive, forgettable, mishmash of weird ideas and concepts.

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My Top Five “Tom and Jerry” Shorts Of All Time

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I grew up watching Tom and Jerry and have remained a fan well in to my thirties, despite their troubled history. Despite the great Hanna Barbera MGM shorts that made me laugh, there’s also the god awful Chuck Jones’ shorts, the watered down remakes, and reboots, and of course the endless string of cheaply made straight to DVD animated sequels where the pair duke it out.

With the upcoming big budget movie hitting limited theaters and VOD this week, I thought I’d list my top five all time favorite Tom and Jerry shorts. While I’m skeptical that “Tom and Jerry” will be anything but mediocre, I still hold a place in my heart for the Tom Cat and Rascally Brown Mouse.

What are Some of Your Favorite “Tom and Jerry” shorts?

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The Bootleg Files: Circus Capers

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BOOTLEG FILES 755: “Circus Capers” (1930 animated short).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On public domain labels.

REASON FOR BOOTLEG STATUS: A copyright infringement lawsuit, coupled by a lapsed copyright on the film.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Hopefully not.

Everyone’s heard of Mickey and Minnie Mouse, but did you ever hear about Milton and Rita Mouse? If not, that’s because Walt Disney heard about them first and put a stop to them before they caught on with the public.
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Rest in Power: Julie Strain (1961-2021); Five Great Movies from the Model and “Queen of the B Movies”

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Sadly, yet another cult icon has left us. Julie Strain, on January 10th, the one and only Heavy Metal model died at the young age of 58 after complications from Dementia. Strain went in to star in a hundred movies, and was well known by pop culture fans. With her tall stature, and incredibly sexy good looks, not to mention her enthusiasm for pop culture, Strain was well known for her charisma, bright smile, and affable sense of humor.

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Superman: Man of Tomorrow (2020) [4K UHD/Blu-Ray/Digital]

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Superman’s legend is constantly being re-invented for a new generation and it’s always retrofitted for a new sensibility and new crowd of potential comic book buffs. Thankfully while DC has rebooted Superman a few times in their animated universe they’ve managed to stick to what makes the man and the myth so exciting and awe inspiring. Even in the rare misfires, Superman is almost always Superman and it’s great to see him return yet again in this re-invention of the character’s lore.

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To Your Last Death (2020)

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Director Jason Axinn’s animated gore fest is “Funny Games,” meets “Saw” meets Twilight Zone’s “The Masks” wrapped up in one sick sadistic mutant. It’s gory, and vicious and mean spirited and occasionally baffling, but damned if I didn’t have a good time with it. There’s just something about watching the wealthy tear each other apart that hits a nerve, and “To Your Last Death” is a movie that has fun with its own concept. Not only does Jason Axinn break the conventional narrative, but he uses it as a means of bringing the ugliest sides out of his characters.

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