The New Dead: A Zombie Anthology [Paperback]

Christopher Golden assembles a myriad of assorted tales about the walking dead, all of which combine to form one of the strongest combinations of excellent authors and variations on zombies and the undead. While the entire book isn’t a complete success in adapting visions of the walking dead with engrossing characters, “The New Dead” will make a great time filler with some truly strong stories and mini-epics in one compendium. I had a great time sifting through each story and I think most fans of the walking dead will, too. These are only a few of the ones we thought warranted mentioning.

For the first story John Connelly offers up his twist on the Lazarus pit with “Lazarus” the story of a man who dies and is kept in a cave only to be brought back to life a few days later thanks to the will of his loved ones. When he discovers he’s completely lost his place in a world he’s left, he longs for death in the face of loved ones he barely recognizes anymore. Connolly’s writing is vivid and awfully sad and makes for an interesting look at the undead in more tragic form.

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The Wolfman (2010)

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Universal’s “The Wolfman” has always been another of the great horror movies that fans have secretly wanted to see remade for the modern era but only for morbid curiosity. We’re a fickle bunch, but the fact is that “The Wolfman” has been a long time coming mainly because we’ve seen countless adaptations of Universals banner monsters but never the Wolfman. We came close with the stellar “Wolf,” but that wasn’t an actual remake. Joe Johnston creates what I can define as a rather above par remake, one that really pays respect to the classic monster movies and horror movie tropes while also cutting its own path in to the mythos. While I’ll agree with many that the movie isn’t a masterpiece, it certainly is a cut above all the rest of the remakes in the market and dabbles in excellence more often than not.

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Dead Set (2008)

deadset“Does this mean we’re not on telly anymore?”

Reality television is much too ingrained and injected in to the base of our society and culture to consider it a passing fad these days. We’re living in a world where we’re absolutely obsessed by surveillance, voyeurism and the like to where we can’t get enough of it and we’re provided with an abundance of television that feeds such needs. “Dead Set,” originally a five part television mini-series,” is set in the UK where reality television is a national past time setting down on a society who is consumed by it. It’s so consumed by tabloids and scandals, it can’t stop and notice that we’re being consumed by a ravenous disease turning our entire society in to flesh eating zombies.

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Catfish (2010)

The big hook for “Catfish” has been the tagline “Don’t let anyone tell you what it is,” and this has had audiences providing theories since the trailer was released what the big hook is to the story. What is the big surprise in the climax? I won’t spoil it for you. At least I’ll try not to. I’ll leave it up to you. Nevertheless, “Catfish” is not a movie that you will expect going in and leaving and it will assuredly have you re-thinking your life and your overall view on personal relationships.

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Return to Halloweentown (2006)

halloweentownI’m not sure why, but Kimberly J. Brown is nowhere to be found in this final film of the “Halloweentown” series. I read an interview online from Kimberly J. Brown that explains she never got a call to come back to the movies, even though she was more than willing. I peg it to the fact that Sara Paxton was then blossoming to be tailored for Disney Channel stardom, thus they kicked out the very adorable and quite talented Brown in exchange for the more streamlined and younger Sara Paxton. The difference is immensely noticeable as the character seems completely different from the original Marnie. Paxton is a good actress, but she’s not as charming or soft spoken as Brown was, thus there’s an element missing from this final film. Also, Debbie Reynolds is nowhere to be found, another sad fact considering she was a key element to the formation of Marnie. She was her Obi-Wan. Without her, Marnie is just another heroine.

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Time's Up, Eve (2010)

Times-Up-Eve-posterIf you’d like to see how far Patrick Rea has come as both a visual storyteller, a creative storyteller and a filmmaker, than you really should look no further than “Time’s Up, Eve” a masterfully well told noir yarn that meshes genres to spin a rather creepy and compelling story. Rea has always been a very sharp and skilled director with a keen eye for the gritty and morbid, but “Time’s Up, Eve” is so far his best film with a sheer sense of atmosphere and dread mixed with a noir tone that is stunning.

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It's Not All Fucked: A "28 Days Later" Tribute

Frank lives by hope even if his daughter Hannah has no hope thanks to the death of her mother, and his is infectious as he spreads this radio frequency offering salvation to survivors to his new friends begging them to believe in this new world, and they have no choice but to seek it out or remain in this city where hope has all but deteriorated in a sea of dead bodies, and massive skyscrapers that now look like tombstones for the dead. Frank’s entrance in to the fold is true heroism and one that is based around his hope for life in a world void of it and hoping to gain their trust allowing for caretakers in the event of his demise. For a man whose seen nothing but chaos, he is shockingly high spirited and provides his new guests with smiles, pats on the backs and giggles because it’s about all he can do to keep up the morale of his daughter who has seen the world die before her eyes. He even keeps their gold fish alive in the wake of their clear lack of any water, in spite of his best efforts to grab some on the knowledge of a television show he’d seen one night. Jim and Selena can’t help but be charmed by his determination and unflinching grasp for some new world out there beyond their reaches, and they go for it with an old taxi Frank claimed in the midst of the carnage.

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