A Mind Beside Itself (2011)

Director PJ Starks has managed to create something of a very gripping and heartbreaking short film that doesn’t exactly lead audiences where one would expect. All along I suspected director Starks was going for an exploitative horror twist, but in reality the gut wrenching turn that ensues is far from horror and more horrific. But while the center piece is the overall hook to the story, “A Mind Beside Itself” is a testament to the power of grief, and the endless nightmare that is regret and guilt. Regret that we didn’t appreciate our loved ones while we had them. And guilt that it’s much too late to do anything about it. Tristan is a man who has just met the love of his life and they’re experiencing an amazing romance that will define his life forever.

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The Octopus (2011)

On director Josh Hughes press website, he explains how “The Octopus” is a very personal film for him but intentionally cryptic. For many, it’s garnered a lot of definitions and dimensions. As well it’s also garnered some hidden meanings that Hughes is surprised to discover from his audience. No matter what you pull from his two and a half minute animated short, there’s not a single doubt that “The Octopus” is a truly powerful and startling animated short about a couple on the brink of destruction and the child that will inevitably pay for their pain.

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The Town (2010)

TOWN_UK_KeyArt_WallpaperBen Affleck impressed with his debut as director for “Gone Baby Gone,” a criminally underrated film. And he manages to impress yet again with “The Town,” a film about crime becoming a way of life, and death just another consequence for a profession. When is enough finally enough for someone? This is examined with Doug McRay, a man who has resorted to robbing banks for a living after a descent in to drugs. He’s mastered bank robbing down to a fine art, and one he specializes in that keeps him and his group of gun toting guns for hire constantly on the verge of being murdered on the job. As examined by the prologue, crime is often a way of life for folks in their city, and with Charlestown being the number one source for bank robbers, Doug only knows how to commit crimes, and is a veteran of such an common trade that he can barely remember what life was like before it.

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The Walking Dead: The Complete First Season (DVD)

From Anchor Bay Entertainment comes the much touted adaptation one of the most groundbreaking comic books of the new millennium. A thinking man’s horror comic book and teeming with literary value and mainstream appeal, “The Walking Dead” was a series begging to be made in to a big screen version from issue one. Thankfully AMC Networks latched on to the Frank Darabont led production and turned it in to a television series.

What began as a gamble on the horror genre and on a mostly underground comic book, has become a juggernaut that has benefitted the horror community for the better. The highest rated AMC network premiere of all time, and charged by a plethora of seasoned character actors from Jeffrey DeMunn, Laurie Holden and Andrew Lincoln and up and comers like Emma Bell, Jon Bernthal, and Steven Yeun, “The Walking Dead” has been an unstoppable pop culture force.

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Young People Fucking (2007)

One thing about “Young People Fucking” that I detested was that it’s really just pseudo mumblecore, when all is said and done. And if there’s one thing I hate it’s mumblecore. I hear enough people blathering on about nonsense day in and day out, I would actually like dialogue with purpose in films. “Young People Fucking” is pseudo mumblecore that really explores the plight of the young hot blond sexy folks of California. Oh no, they’re a dying breed, aren’t they?

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The Social Network (2010) (Two-Disc Collector's Edition) (DVD)

81s3kbveNJL._SL1500_While reports of David Fincher’s “The Social Network” being a modern “Citizen Kane” have been absolutely outlandish and ridiculous, Fincher’s courtroom drama about wunderkind Mark Zuckerberg is a near masterpiece and one that works as a cultural zeitgeist depicting the beginning of a technological revolution and the end of intimate human communication as we know it. “The Social Network” is one of David Fincher’s most verbose and openly intellectual mainstream films to date, a film about the cultural zeitgeist that is social networking and the social animal that derived such pleasure not only from devising such a complex and magnificent program that would distance each other forever that ironically required close and intimate quarters and contact, but from using this program to scorn the individuals who used their own upper class status to keep themselves differentiated from Zuckerberg.

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The King's Speech (2010)

51DjvRDirector Tom Hooper’s British drama about the power of words and the man lacking the stature and power of such abilities in the face of a looming evil with the power of speech is something of a quaint animal. Seemingly sneaking out of nowhere, Hooper’s drama is a film not only about a man stricken with the disability of stammering, but a man finding his power in the face of ultimate powers around him. This is a man of pure impotence, a man whose felt dwarfed by the importance around him. And when he’s finally forced in to the world that demands his capacity to become an individual, now it’s a time where he must show the world that he is someone of immense presence. He is someone demanding of a capable individuality. Even to his wife whose unabashed support is laced with a sense of patronizing tone and dominance over his lack of speech functionality.

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