Batman Ninja (2018)

Whether you love or hate “Batman Ninja,” you have to admit DC is at least going for something completely different and radical this time around. With a different crew and approach toward the mythology, “Batman Ninja” is a unique time traveling tale that finds Batman at his most godlike, worshipped as a near invincible warrior in Feudal Japan. Beautifully directed by Junpei Mizusaki, “Batman Ninja” puts the entire aesthetic of the DC character in to some of the wildest anime filters, and it works most of the time. Some concepts land with a thud, but when “Batman Ninja” soars, it’s quite spectacular.

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Road House (1989)

Rowdy Herrington’s “Road House” exists in that line of the late eighties and early nineties where honky tonk trailer trash chic was in vogue. This is the re-emergence of rowdy bars in that whole period of “Black Velvet,” “Black Betty,” Stevie Ray Vaughn, and Billy Ray Cyrus. It permeates with that exact odor but with Patrick Swayze playing basically your normal everyday enigmatic superhero known as Dalton. Only Dalton. He is so bad ass he has one name, carries a thick reputation, and spends his off time stitching his own wounds in bar room bathrooms.

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Suicide Squad: Hell to Pay (2018) [4K UHD/Digital/Blu-Ray]

“Hell to Pay” is chapter two in what is one of the more under appreciated animated DC series currently in stores. While DC mainly focuses on Batman and Superman, we’re given a second shot with “Suicide Squad” who DC is thankfully not above sharing for the home entertainment audiences. After the very good “Assault on Arkham,” the team known as Task Force X return with a premise that—let’s just say it—should have been the premise for the live action movie. It’s a small covert team, they should do small covert operations that involve the DC Universe, for crying out loud.

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Suicide Squad: Hell to Pay (2018)

It’ll take more than a bad movie to bring the “Suicide Squad” down. Deep down there’s still a great movie to be made with this concept. “Assault on Arkham” showed it, and “Hell to Pay” proves it. You don’t have to make this group the center of the DC Universe fighting massive gods. They can just be super powered thugs doing the slimy stuff like stealing Lex Luthor’s chunk of Kryptonite, or breaking in to Batman’s fortress to steal incriminating evidence he has to bring down Amanda Waller. Something neat in the same vein happens in “Hell to Pay” when the group are assigned to track down a maguffin that is both silly and clever.

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Justice League (2017) [Blu-Ray/DVD/Digital]

At the end of the day I think “Justice League” is a very—okay movie, with glimmers of greatness. But that’s the problem, sadly. Fans waited and waited, and didn’t want an okay movie. We fans wanted a great movie, and despite bringing in Joss Whedon in the final hour, “Justice League” feels less like the beginning of an epic saga of superheroes, and more like a throwaway episode of a mediocre superhero series. And what with “mustache gate” and the continued controversy over the original cut of the film, “Justice League” will carry a lot of baggage with it forever. Which is sad, because I still didn’t hate it as much as I did “Batman v Superman.”

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Black Panther (2018)

The long overdue cinematic debut of Black Panther is a bold and unique new turn in the Marvel Cinematic Universe with a perfectly cast Chadwick Boseman as King T’Challa. “Black Panther” not only focuses on mostly African cast of characters, but also doesn’t lean too heavily on the Marvel universe to register with audiences. Director Ryan Coogler and Marvel have enough confidence in the clout of Black Panther to allow the film to be its own entity. There are passing references to “Civil War,” and a big supporting role from Agent Ross (a returning Martin Freeman), but this is strictly the movie Black Panther should have had ten years ago.

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Kill Order (aka Meza) (2017) [Blood In The Snow 2017]

A teenager with strange abilities discovers why he has these and has to decide what he wants to make with them and himself.

Written and directed by James Mark, the film is a nice long string of fight sequences with other scenes and sequences in-between to build the story that unfortunately come off as forgettable, especially next to those fight scenes. The fighting in Kill Order is where it’s at. It’s rousing, exciting, and fun to watch. Which makes the in-between stuff this much sadder being that they are some much fun and the rest of the film feels a bit forgettable. The story is interesting but it’s not developed in a way that keeps the attention. The only reason this reviewer kept watching was all the awesome fighting. Fans of stuff like Ong Bak and B13 will love the action, but will probably check out during the rest of the film. Also not helping this are scenes that have subtitles that are white on white, thus extremely hard to read.

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