Dark Windows (2023)

It’s surprising how out of left field Alex Herron’s “Dark Windows” has come, as it’s a movie that sneaks up on you but leaves you exhausted by the time the credits roll. “Dark Windows” is one of the best horror movies of 2023 but it’s also one of the most depressing movies I’ve seen in years. It’s a movie that pulls no punches and will leave you wrecked with despair and thinking about what you’ve just seen for a while. I was very certain that I knew what was going on during “Dark Windows,” but then writer Wolf Kraft subverted all of my expectations and really sent a cold chill up my back.

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Demonic Toys: Jack-Attack (2023)

I’m assuming that these side quests for characters from “Demonic Toys” and “Puppet Master” are leading to something big down the road, but I can’t be too sure. Truthfully the side quest/spin offs of the flagship Full Moon franchises have been really hit or miss, but “Jack-Attack” has so far been one of the best. It’s only an hour in length and is short on story, but it compensates in carnage and some cool kills.

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Fallen Drive (2023)

“Fallen Drive” opens up with a silent scene of what looks like a human body wrapped up in garbage bags and duct tape. From there what unfolds is what can best be described as an episode of “Alfred Hitchcock Presents” as directed by Neil Labute. Co-Directors and Writers Nick Cassidy and David Rice deliver what is a powder keg of a thriller that revolves around the concept that high school truly never does end. From the jumping point, “Fallen Drive” is teeming with so much tension that it’s literally seeping from every scene.

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Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

What we’re seeing with “Mutant Mayhem” is what happens after every movie makes a bang at the box office. The “The Spider-Verse” movies were so beloved and influential that we can expect studios to ape its animation and storytelling style for at least a few years. The first of what will probably be many to come is “Mutant Mayhem.” Jeff Rowe’s animated movie is a new re-imagining of Eastman and Laird’s “Teenage Mutant Ninja Turtles” franchise, but aimed a lot more toward Generation Z. That’s both a quality that improves what producers Seth Rogen and Evan Goldbergh aim to be the beginning of a new wave of popularity for the Turtles, and a hindrance. 

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Haunted Mansion (2023)

I never had the pleasure of riding the famous Disney attraction but I know enough about it to understand the particulars of the story and its appeal. After the somewhat awful 2003 attempt with Eddie Murphy, Disney takes another crack at adapting one of their most iconic attractions. In the end it amounts to a very entertaining and heartfelt horror comedy that I imagine will allow for a good gateway for budding horror fans. I won’t proclaim it as a masterpiece, but when all was said and done, I was so much more satisfied than I was with the 2003 first attempt.

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Sympathy for The Devil (2023)

Director Yuval Adler’s “Sympathy for the Devil” is a movie for the Nicolas Cage fan base, those people that love to see Nicolas Cage go berserk and completely the chew the scenery for ninety minutes. It’s as if Yuval Adler went on set and told Nic Cage to just be Nic Cage, because out of all the Nic Cage performances in his repertoire this is the Nic Cagest you’ll see. He Nic Cage’s the hell out of this movie. “Sympathy for the Devil” is part horror movie, part survival thriller, part crime thriller and part mystery. It’s “Collateral” but on acid.

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Lovely, Dark, and Deep (2023) [Fantasia Film Festival 2023]

According to David Paulides, the author of the Missing 411 books, he estimates that there are over 1,600 unexplained disappearances in North American National Parks. In “Lovely, Dark and Deep,” director Teresa Sutherland offers up one of the more complex and haunting supernatural thrillers of the year, all set within the confines of a national park. What makes “Lovely, Dark and Deep” so haunting is that director Sutherland sets the entirety of her film within a national forest, all of which seems so suffocating and all consuming from the moment character Lennon drives in to its threshold.

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