I’ve always had a soft spot for horror movies that present themselves as dark twisted versions of fairy tales, and Samuel Bodin’s “Cobweb” is one of the highlights of the sub-genre. “Cobweb” is a dark and twisted tale of family that watches almost like and Edward Gorey folktale that’s suddenly sprung to life. It’s shocking that Lionsgate hasn’t promoted this movie at all, since as we’re entering in to the Halloween season gradually, “Cobweb” is the perfect dose of autumnal tinted horror. Director Samuel Bodin manages to concoct a mystery horror film that is not just creepy, but suspenseful and twisted all at the same time.
Tag Archives: Mystery
Fear The Night (2023)
It pains me to say this but “Fear the Night” is by no means top tier when it comes to survival home invasion thrillers. I love Neil Labute, and I love Maggie Q, I think they’re both great. I also love me a good home invasion film or survival film. But “Fear the Night” feels like someone along the way watched 2011’s “You’re Next” and thought: I can do that! “Fear the Night” has all the obvious influences with none of the context or subversive behind it. The villains even attack with their faces covered and garner their own hunting weapons including a bow and arrow.
Bird Box: Barcelona (2023)
Netflix’s 2018 surprise hit “Birdbox” was a pretty good movie that skated on thin ice from minute one since it was accused of aping the concept for “A Quiet Place.” But the efforts of a sequel have firmly placed it as a movie better off left as a one and done horror film. “Barcelona” is considered kind of a sequel and kind of a spin off, but in reality it’s kind of a glorified pilot. I don’t know if Netflix is planning more sequels down the road, or a TV series, but “Barcelona” feels like the first of many incoming spin offs. And it never once feels like a complete movie, but only a buffer and promise of things to come. And as a follow up to the original, it fails epically assuring I won’t be back to see how they further develop this premise.
Mission: Impossible – Dead Reckoning Part One (2023)
It’s exciting that after seven films, “Mission Impossible” still gives audiences the good old fashioned action movies that were prominent in movie theaters. Christopher McQuarrie’s treatment of the “Mission: Impossible” has never been over stylish which amplifies the old fashioned feeling of his take on Tom Cruise’s epic movie series, and I love it. There are spies, and mysteries, and chases through streets, car chases, femme fatales, a classic macguffin, and even a massive fight staged on, in, and on top of a moving train across Europe. It’s vintage adventure movie serial cinema amplified with a huge budget and some wonderful performances all around.
Insidious: the Red Door (2023)
It’s a real shame that the “Insidious” series would go back to its roots with “The Red Door” and end up being probably the worse entry in the franchise yet. Patrick Wilson is a fine enough director, but “The Red Door” is such a misfire that you can’t even really call it a cash grab. It feels a lot like the studios attempts to add some sense of closure to the Lambert family, but rather than this emotional journey through the Further, all they hand us is a half baked rip off of “The Babadook.” And that’s saying a lot since I’ve been such a fan of the “Insidious” series since it arrived in 2011. But these films have done so much better, even with “The Last Key.”
Insidious: The Last Key (2018)
Elise Rainier has been one of the most fleshed out horror movie heroines of the modern era and I’ve enjoyed her quest throughout the “Insidious” series. After dying at the end of the first film, every subsequent film has backtracked to not only explore Elise more, but also give us a bigger wider bridge to the first film. “The Last Key” is perhaps the most personal quest featuring Elise as it does fit in to the general mythology of “The Further” but is more intimate and lower stakes. The movie can be seen more as a stand alone one shot featuring Elise in where she not only garnered full control of her powers, but also foresaw her fate in the first “Insidious.”
“My Adventures with Superman” is a Great Addition to the Superman Lore
While I spent the last week finding time to finish the first two seasons of “Superman & Lois,” I set aside time to watch the highly anticipated “My Adventures with Superman,” which stealthily premiered on Cartoon Network’s adult programming block Adult Swim. That in and of itself is bizarre, as there’s nothing adult about “My Adventures with Superman.” The series is highly stylized to look like anime, but there’s no swearing, or intense violence, or any kind of sexual content. This is as wholesome and pure as Superman’s been in a long time, and it’s actually a series I’d recommend to literally any Superman fan young or old.