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Neighbors 2: Sorority Rising (2016)

neighbors2I liked “Neighbors” for what it tried to accomplish, but in the end it wasn’t a complete home run. Considering five people worked on it, “Neighbors 2” is a shockingly superior follow up to the original 2014 comedy. While it is, in essence, a cash in, it’s also a much more socially relevant comedy that offers interesting ideas and commentary about equality of the sexes, and how the deck is stacked against young women in society. “Neighbors 2” doesn’t get preachy, but it does provide audiences with a glimpse at how young women are much more objectified and taken for granted than younger men.

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Night Calls: The Movie (1997)

nightcalls-themovieBefore the internet and skyping became the norm, Playboy marketed on the phone sex craze of the decade by launching one of the most popular adult talk shows of the decade. “Night Calls” was, for a long time, a mainstay on the Playboy Channel in America and targeted a lot of the fantasies of their callers. Hosts Doria Rone and Juli Ashton were very ahead of their time, as broadcasting live and taking requests from various callers has become routine entertainment for literally every adult website on the internet these days.

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Night of the Slasher (2015)

NightOfTheSlasher

Director Shant Hamassian’s short horror film is a rather excellent meta-tale that takes the classic horror slasher movie tropes and places them in to a new light. What if you could control the idea of the slasher coming to your door attacking with you a set of rules a la “Scream”? That’s the case for a young beautiful girl who is home alone at night. When we first see her, she’s this insanely sexy girl dancing in her lacy skivvies, but upon fully glancing at her person are a witness to the stitched wound she wears on her throat. The scar and silence says all, as she was clearly the victim of a vicious attack by a killer meant to end her life, but somehow survived.

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Northpole: Open for Christmas (2015)

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Yes, primarily Hallmark have used the “Northpole” movies to sell whatever kitschy Christmas ornament they’re touting for the year, but they’ve accidentally built a neat Christmas movie series I want to see more of. Years ago, I would have really loved the adventures of Clementine the Elf, and her quest to restore the Christmas spirit in one unhappy soul. Right now, she’s still a charming Christmas heroine played by the always adorable Bailee Madison. Madison doesn’t even have to do much to look like an Elf, as she’s given pointy ears, and achieves the rest with her wide smile, and large saucer eyes.

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Naomi and Ely’s No Kiss List (2015)

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I’m surprised at how much I enjoyed “Naomi and Ely’s No Kiss List”; it begins as an insufferable Diablo Cody hipster fest, but manages to redeem itself quite well by the second act. My initial draw to the film is Victoria Justice (who I’ll watch in anything), but through her basic name recognition is a pretty charming and complex tale about co-dependency and realizing that nothing is forever. Not even friendship. Naomi and Ely are best friends and neighbors inflicted with some rather immense and damaging psychoses and unresolved issues. After Ely came out of the closet as a young man, his mom also came out and married a woman. Naomi’s father happened to cheat on her mother with Ely’s mom, prompting a terrible conflict.

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Nina Forever (2015)

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After his girlfriend Nina dies in a car crash, Rob attempts suicide he is so grief stricken. Following his failed attempt, as he’s working at a grocery store, Rob meets Holly and falls for her. As their love blossoms, Nina comes back to life to mess with their minds and taunt them.

The film was written and directed by Ben Blaine and Chris Blaine who create characters the audience cares about even through the mounting stress and non-sense of the dead coming back to life while they have sex. The characters feel human; their emotions being appropriate to their situation if one can believe that they would not simply run far from each other as soon as Nina shows up.

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Night of the Living Dead: Darkest Dawn (2015)

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I honestly don’t want to dislike anything with an association with George Romero, but when sub-par independent filmmakers unleash a sub-par remake of Romero’s 1968 “Night of the Living Dead,” you just have to call a spade a spade. It’s irritating that there are still filmmakers that think they can perfect the formula better than Romero did. The rush of “Night” remakes doesn’t seem to be stopping any time soon, either. Which is unfortunate, because time can be better spent on films that aren’t glorified fan fiction. “Darkest Dawn” is essentially “Night of the Living Dead” all over again. Except this time, “Night” is set in modern times, and in a city.

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