Tomorrowland (2015)

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Brad Bird is certainly a fun storyteller filled with ideas about science fiction that’s a welcome break from the normal grim and grit of the modern era, I just wish “Tomorrowland” were a masterpiece. If not, I wish it were more than mediocre. As it is there’s a great movie somewhere in the script, there’s just too much narrative and disjointed writing to really see it rise to the surface and hit a home run. “Tomorrowland” is one of the more entertaining messes of the year. It’s a film that doesn’t introduce its heroine until thirty minutes in to the movie, and completely cuts her out of the equation in the finale. “Tomorrowland” is not a bad movie by any means, it’s just the writing is so scatterbrain and haphazard, I couldn’t really appreciate the whole shebang, in the end; which is sad, because I certainly wanted to love “Tomorrowland.”

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Ex Machina (2015)

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Alex Garland’s “Ex Machina” is a brilliant often mesmerizing amalgam of “2001” and “Frankenstein” in where man has once again reached the ability to create life, albeit artificial. Garland chronicles the ever enduring battle of artificial intelligence and human intellect and how the lines can sometimes be blurred by the geniuses seeking to create actual life. “Ex Machina” is a consistently enigmatic and stunning science fiction tale of humanity, and the god complex that entrenches us in a deep and very bleak mystery as well as introducing us to a slew of characters, all of whom may not particularly be devious at first glance.

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Ant-Man (2015)

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“Ant Man” seems like a stand alone superhero effort at first, but it fits comfortably in the pegs of the Marvel Cinematic Universe. It also introduces us to a wonderful superhero who, by all logic, should not have translated in to such a great film. Surely enough, with a script by Edgar Wright (and various others) and an excellent cast (including a welcome Hispanic presence), “Ant Man” is one of the best adaptations of Marvel’s Phase Two in their Cinematic Universe. Like every hero in the Marvel Universe, “Ant-Man” is just an average man thrust in to great circumstances, and he has to earn his stripes as a crime fighter while overcoming his own flaws and insecurities.

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Avengers: Age of Ultron (2015)

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With “Age of Ultron,” Marvel and Joss Whedon essentially pave the way for a series of films that will make “The Avengers” the enduring franchise that fans have always wanted. It’s made abundantly clear that not only is the movie series here to stay, but we can expect a roster of rotating superheroes in the future that will create new conflicts and brand new dynamics. While “Age of Ultron” sags in certain places, it’s a superior follow up to “The Avengers” which was much more simplistic and aimed more to establish the crossover. “Age of Ultron” garners higher aspirations, constructing new story lines and setting up foreshadowing for future films. It also greatly raises the stakes for our team of flawed superheroes, all of whom are still learning to work as a unit. Set almost immediately after “Iron Man 3,” and “Winter Soldier,” we meet the Avengers, all of whom are back in combat fighting Hydra and taking on the elusive corporation’s hideout.

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Turbo Kid (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

In a very ‘80s post-apocalyptic world, The Kid is a scavenger surviving on his own gathering goods while out on his BMX and exchanging the finds at the local watering hole. One day, as he’s gone on another of his rides, he meets Apple who is mourning the recent loss of her friend and desperately needs a new one. Apple imprints on The Kid like a baby duck, following him around and insisting on them becoming best of friends. Her insistence and bubbliness gets The Kid to accept her friendship and constant presence in this lonely world. He shows her some of what he knows, including his favorite comic book and his ViewMaster. As they become closer, disaster strikes and Apple is kidnapped by Zeus’ men to be brought to the representation of evil that is Zeus. The Kid must find his inner hero and save his best friend from the clutches of evil and maybe save the world in the process.

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Turbo Kid (2015)

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It’s “Scott Pilgrim vs. The World” meets “Mad Max” with what is one of the most entertaining and fantastic indie films of the year. The trio of François Simard, Anouk Whissell, and Yoann-Karl Whissell channels the magic of nostalgia to create a world that’s both perilous but compelling. “Turbo Kid” is painted as a love letter to all things eighties and nineties, but thankfully never loses itself in the winks and nods. It implements pop culture to create a well rounded world and they succeed beautifully. Through and through it’s a soulful and very exciting coming of age tale set in the post apocalypse.

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Big Hero 6 (2014)

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I really enjoy it when Disney tends to think outside the box in the realm of a certain genre. While “Big Hero 6” is definitely a Marvel and superhero movie, it’s also a really bold and off the wall tale about revenge, family, and the very thin line between justice and pure evil. “Big Hero 6” is an underrated feature from the Marvel canon that I really hope garners a sequel because the material here is just too ripe for a one and done feature film. The characters are just too damn interesting and by the time the film was done I wanted more from this rag tag group of geniuses. And that’s what I also enjoyed about “Big Hero 6” is that our heroes have a clear moral code they operate by and they do it with their brains.

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