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One on One: A Superman Story (2012)

oneononeIt’s very satisfying to see a director who understands Superman and gets the ideals and goals he strives for. Sure he’s a super man with god like abilities, but it’s not his place to bend humans to his will and make them follow his desires. At the end of the day, Superman understands the fragility of humanity, and he also comprehends that despite being a hero that’s taken on gods, and aliens, even the smaller problems count from time to time. Sarah is on her way out of the city set to venture out on her own and isn’t intent on going back home any time soon. While sitting in the park, she’s approached by a seemingly mundane bespectacled man in a blue suit who explains he’s a reporter.

She can’t understand why she’s so important, but the reporter is insistent and is abler to charm her enough to where she can open up to him for his “interview.” Director and writer Thomas spends the majority of the short film defining Superman and exploring common questions and themes that have alluded many people for decades about the character. Who else to understand Superman than Metropolis’ ace reporter Clark Kent? Soon enough, the pair are discussing the idea of beings with powers, humanity, and how we all matter in the scope of life, no matter how minute our problems may seem in the long run.

Erin Brown Thomas and John Nagle perform very well, providing fantastic chemistry and conveying the dynamic of wayward youth and wise hero well. John Nagle is the perfect Clark Kent and might even be a bang up Superman, presenting an excellent amount of humility and empathy to make him a noble crusader, even when he’s simply sitting around in a suit and tie. Thomas has a small budget to work with but aspires for larger than life storytelling, emulating the awe inspiring more misunderstood traits of Superman and conveying that it doesn’t take an actual superhero to change someone’s life and steer them in to promise and success. I hope we see more from Jake Thomas very soon. Hell, I’d even love to see him tackle Superman yet again.

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Star Wars Episode VII: The Force Awakens (2015) [Blu-Ray/DVD/Digital]

TFA-coverJJ Abrams has a lot of work to accomplish with “The Force Awakens,” removing the stigma and stench the series has accumulated over the years with the release of the “Star Wars” film prequels, the constant re-editing and changes to the original films, and so much more. “The Force Awakens” actively works as a rebuttal to the aforementioned legacy set, unleashing a film that’s very down to Earth and celebratory of the original trilogy as a whole. It not only musters up a lot of the tropes from the original trilogy, but acts as a launch pad for a massive movie series that Lucasfilm and Disney are planning for a very long stretch. While some have criticized the film for recycling some elements from “A New Hope,” Abrams fully understands what he’s working with, and working on, and uses “The Force Awakens” as a massive doorway accessible to literally anyone.

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Justice League vs. Teen Titans (2016) [Blu-Ray/DVD/Digital]

jlvtt-2Once again DC Comics advertises a throwdown between titans that doesn’t totally deliver. True, the two teams of old and young battle, but it’s under wild circumstances, and it’s only a two minute bout at best. Sam Liu’s film should have been called “Teen Titans” and been done with it, but how else to cash in on “Batman v Superman,” I guess? The film is primarily centered around the building of the Teen Titans and their dynamics as a whole. The movie channels both the original animated series, and the cult classic “Young Justice” to offer up a movie that I wish would begin a new series of more exciting movies, showing how these teens have to work and fight in a world dominated by basic gods. That said, “Justice League vs. Teen Titans” isn’t a bad film, despite the criticisms and observations. It’s a very fine action adventure that focuses on the interesting interplay between Robin and Raven.

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VHS Massacre: Cult Films and the Decline of Physical Media (2016)

VHSMassacre

For other documentaries about the VHS resurgence and the nearing end of physical media, a lot of directors have spent their time trying to figure out where it all began and celebrate the idea of the VHS boom of the modern era. “VHS Massacre” seems to be standing in ground zero of the end of physical media and trying to figure out where it’s all going, rather than where it all began. For many of us that have reveled in the new wave of VHS appreciation, we all know how it began. VHS won over Beta, despite the latter have more quality simply because VHS had more appeal to its product. It cost less, the tapes stored more footage, and porn became almost exclusive to the format. But with the rise of digital media, VHS has gone the way of the dodo, now relegated to good will bins and mom and pop stores deep in small towns and counties.

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The Phoenix Incident (2016)

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On March 13th 1997, mass hysteria and dozens of conspiracy theories followed the sighting of a massive series of lights over the city of Phoenix Arizona. Known as “The Phoenix Lights,” said sighting has been a hot topic for UFO enthusiasts for years, and remains a mystery that the government has been very vague about discussing since. Director and writer Keith Arem has a good idea on his hands with “The Phoenix incident” and dares to combine various filmmaking formats including found footage, documentary, and action thriller. While it doesn’t amount to a flawless science fiction thriller, Arem’s ambition and concept is still pretty admirable when you step back and soak in the entire experience.

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Space Cop (2016)

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The team from Red Letter Media, a small group of some of the best online movie critics and comedians finally get together to put the superhero movie through the wringer. “Space Cop” is a mixture of superhero movies, crime noirs, and classic Golan Globus stinkers where our hero is a testosterone junkie prone to shooting a lot of people and then asking questions later. In this instance we follow the futuristic space cop from 2058 who spends his time shooting down bad guys and royally destroying his city in an attempt to halt operations from disgruntled criminals. When he’s home, he indulges in an addiction to hot dogs and beer.

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Star Wars Rebels: Twilight of the Apprentice

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It’s going to be a long wait until season three of “Star Wars: Rebels,” my friends. And if you had to peg where the finale falls under, I’d say this is the “Empire Strikes Back” of all “Star Wars Rebels” season finales as it is an amazing close to what has been a turbulent sophomore season. Not only have our heroes experienced a massive loss, but the empire is more certain than ever, there might be a female sith lord, and our young hero Ezra has no lightsaber and is strongly considering becoming a sith lord. It’s almost too easy for Ezra to be seduced to the darkside because, like Anakin, he’s desperate to prove himself and feels his master Kanan doesn’t have confidence in him.

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