The highly anticipated, sure to be a cult classic, “Cocaine Bear” releases in theaters today, with the horror comedy inspired by a true story, where a bear hopped up on cocaine goes on a murderous rampage. Directed by Elizabeth Banks, and featuring one of the final performances from the late Ray Liotta, it’s sure to be a banger. After checking out the animal on a rampage flick, we recommend these other five killer animal flicks.
What are some of your favorite killer animal movies? Let us know.
Director Peyton Reed’s style and sensibility really matches up well with the third “Ant-Man” movie series, a franchise that’s been a lot about an underdog hero. In a world where he’s even second to Spider-Man, a fellow under dog superhero, it’s interesting to see how “Quantumania” depicts the idea of family and how dads can be all the heroes we need when all is said and done. Deep down, “Quantumania” is a movie about family, about the unconventional family unit and how it works in a world that they’re woefully unprepared for.
It’s weird that after “Battle of the Super Sons” that DC and Warner would choose to adapt “Legion of Super Heroes” as their new feature. It feels like one of their least consequential animated movies in years. It doesn’t take place during the timeline of the Super Sons, and it rushes through the entire introduction of Supergirl. Plus, there seems to be a whole chunk of story missing as Superman seems to have a boom tube device that can warp in to the future to visit the Legion of Super Heroes. When did he get that? How exactly did he get that? Why did he assume Supergirl would have an easier time in the far future than she would in present Earth?
It seems like 2023 is going to be the beginning of a period where studios are taking big risks on smaller indie films and getting back big returns. I’m glad because this allows films like “The Outwaters” to get out there to horror audiences. I’m not sure I can safely say that Robbie Banfitch’s found footage horror film re-invents the wheel, but it’s a definite abstract bit of cosmic horror that will provoke a ton of debates from the audience.
Director Yue Ma’s short horror comedy watches a lot like a gory version of “The Stepford Wives.” Much like its predecessor, it’s a movie that centers on domestication and chauvinism, as well as the idealized image of women. All of it is packed with a dark sense of humor, and some great turning of the tables. Much of “Satisfaction Guaranteed” garners an admirably dark sense of humor with a satirical and warped tone from beginning to end.
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I for one got a huge kick out of Kiah Roache-Turner’s “Wyrmwood: Road of the Dead,” because while it was a huge departure from what I usually like in my zombie movies, he compensated with huge creativity and a great series of performances. In particular Bianca Bradey was a scene stealer as the zombie human hybrid Brooke. In “Apocalypse,” Kiah Roache-Turner and Tristan Roache-Turner shift the focus ever so slightly to a new series of characters. Sure they keep the integrity and novelty of “Road of the Dead” in tact, but this time we’re given a wider scope with a new series of villains and some bad ass zombie hybrids.
One of the advantages of boutique physical releases is that American audiences are able to check out films that they wouldn’t have otherwise been able to before. This year, the never before officially released in the U.S. “The Son of the Stars” makes its way to American shores. The animated adventure described as a “wild mid-80s mash-up of The Empire Strikes Back, Alien and Tarzan” was directed by the creative team of Călin Cazan and Mircea Toia, and features a pretty trippy original score by synth-rock pioneer Stefan Elefteriu. I can safely say while you can see the “Star Wars” influences dripping all over it, it’s a wild experience for any animation buff.