You have to give it to Wesley Mellott. He brings his A game to what has been a pretty fun set up for a potential series of films or even a feature. While I’m always a Sam devotee, I could see The Magician becoming one of the many Halloween horror icons. He’s just such a great character. Donning a top hat and tuxedo, he also dons a great skull visage that may or may not be a well detailed mask. Either way, The Magician takes Halloween deathly serious and doesn’t mind offing anyone that doesn’t respect the rituals of the holiday.
Tag Archives: Sequel
At 25 “Halloween: H20” is Still a Horror Milestone
I can still remember sitting in the theater among the crowds watching as the audience sat expecting Michael to get away. Then Laurie took the swipe with her axe lopping his head off clean. I can still remember hearing the audience offer an audible gasp in sheer shock. This was it. It was done. Michael was dead. Laurie had beaten her demons. But then there came “Resurrection,” and then “Halloween (2018).” Jamie Lee Curtis wanted nothing to do with Halloween for a long time, and then she took on the role of Laurie one last time, but then killed her off in “Resurrection.” One last time. But then she re-emerges years later for “Halloween” in 2018 to reprise Laurie Strode yet again.
I wish Jamie Lee Curtis would make up her mind already. I digress.
Halloween Ends (2022)
For a long time, “Halloween” has been a lot about the inexplicable evil that arose in Haddonfield. But what Danny McBride and director David Gordon Green attempt to do is explain that Michael Myers is only symptomatic of what resides at Haddonfield. Like everywhere in humanity, there always has to be a scapegoat for to pit hatred and fear on to something, and Michael Myers was for a long time the epicenter of it in Haddonfield. “Halloween Ends” explores more the idea of evil as an amorphous entity rather than a maniac in a mask. While Michael Myers was every bit as evil and a force of darkness as we saw in “Halloween,” the final film in the new trilogy takes a step back to look deeper in to the darkness.
The Barn Part II (2022)
If Justin M. Seaman’s “The Barn” was “Ghoulies,” then “The Barn Part II” is the “Ghoulies II” of his horror movie series. His Halloween centric horror movie series has managed to deliver in surprises and good old fashioned vintage scares and I’ve enjoyed a lot of the mythos that Seaman and co. have created. “The Bart Part II” is superior to the first film in every way, as while the original is a very good small scale Halloween movie, this follow up doubles up on every aspect. There’s double the gore, double the body count, double the T&A and even larger scale monsters.
Aladdin: The Return of Jafar (1994)
1994’s “Aladdin: The Return of Jafar” (or “Aladdin 2: The Return of Jafar,” or simply “The Return of Jafar” as it’s known in some circles), was originally intended to be the trio of episodes for the television spin off of the hit 1992 Disney film “Aladdin.” Not wanting to miss out on milking their hit further, Disney cobbled together a movie that acted both as a sequel and an entry point in to the “Aladdin” syndicated animated series. This meant that much of the resolution of the original movie was rendered pretty much null. Factor in that Robin Williams refused to reprise the role of Genie once again after a fall out with Disney, and you have what is—well, just an okay movie.
The Exorcist: Believer (2023)
It’s been pretty much the consensus that “The Exorcist” is one of those rare lightning in the bottle cinematic achievements that has yet to find a contemporary in its massive sub-genre. Over the years, studios have fought to build a classic in the same vein, and now Blumhouse has tried their hand at continuing the cinematic adaptation of “The Exorcist.” While its arrival has pretty much squashed any and all attempts at forward momentum that the “Halloween” movies had, “Believer” actually ends up as a pretty okay reboot. It’s by no means as terrible as “The Heretic” but David Gordon Green has a lot to do if he hopes to achieve any kind of success with the next two films in his series.
At this point whether or not there will be a follow up remains to be seen.
Scare Package II: Rad Chad’s Revenge (2022)
It’s not exactly a secret that I just didn’t think much of Aaron Koontz’s 2019 horror comedy anthology “Scare Package.” Despite its best intentions and love for the genre, as a horror anthology I just wanted something new and just more. The horror anthology is a difficult platform for a lot of filmmakers, and “Scare Package II” doesn’t re-invent the wheel at any turn. As a horror comedy that spoofs “Saw” (and a slew of other horror movies) wholesale, it’s a solid film. As an anthology, the wrap around narrative does little to compliment the four mixed bag horror segments.