Zombie Night (2013)

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Director John Gulager is not above making entertaining horror films, as we saw with “Feast,” but his offering for the current zombie movie craze ends up being surprisingly conventional and dull. It doesn’t really offer anything new or unique in terms of the zombie movie realm, and to make things worse there are just too many sub-plots. We literally follow almost a dozen characters and their efforts to make it through the beginning of a zombie apocalypse, and beyond their efforts to stay alive, there’s not a lot to them or their personalities.

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Horror Stories (2012) (DVD)

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One thing about “Horror Stories” that brings it down from the get go is its lack of ambiguity. Often times this anthology over explains the stories, and can never seem to have confidence in its own plot elements. That said, while “Horror Stories” surely won’t be confused with the brilliant “Three… Extremes,” it’s definitely a solid and often times very scary horror anthology with four really entertaining stories that will keep audiences watching, even when they falter and stumble.

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Zombie Massacre (2013) [Blu-Ray]

zombie-massacreI’m still not entirely sure if “Zombie Massacre” knows how utterly idiotic it is, or if it’s in on the joke. In one instance, Uwe Boll appears on a television as the American president, German accent and all, discussing the zombie conspiracy and how he wants to get back to golfing and vacation. It’s a perplexing moment, because I’m not sure if the writers and Boll thought the scene would be a wonderful bit of biting social commentary, or if they were just pulling our leg through the cameo. Yes, we Americans love our golfing and vacationing. Good one, Boll! You’re such a witty satirist, you are.

Clandestine government, chemical accident, zombie apocalypse, characters with nothing to lose, you’ve seen it all before, and “Zombie Massacre” brings it in spades. The prologue is solid with the accident at a power plant affecting an entire town thanks to chemicals falling from the sky. Whatever comes in contact with bare skin turns its victims in to flesh eating deformed zombies. But that’s immediately contradicted when we later see zombies dressed in Hazmat suits, so that’s ultimately irrelevant to the narrative. The rest of “Zombie Massacre” is a half assed amalgam of “The Dirty Dozen” and “Mission Impossible,” with the government composed of mostly Eastern European men bringing together a team of rogue soldiers.

They all have their special talents, and oddly enough they, too, are Eastern European. They’re all vicious and cold soldiers, and surely enough we have to know that because they spend a lot of time talking. I mean, they spend obscene amounts of time standing around talking, and conversing about sex and life. The narrative introduces a silent female warrior who is a master with a samurai sword, not to mention a conflicted leader who is being allowed freedom for his crimes if he pulls off the operation. And yet the film is still so painfully boring to endure. Mid-way when it becomes apparent this team can barely pull off their mission as half of them die from a zombie attack, we’re introduced to a mysterious scientist who may have the answers to the infection (original!).

To make things even more grueling, there’s a red neck couple that joins the team to help fend off the zombies. I was never sure if I was supposed to find this twist ridiculous or offensive, but clearly the producers of the movie don’t have a flattering idea of America. For some contrived reason, the pair of redneck gun nuts are visiting Eastern Europe, get caught in the zombie apocalypse, and decide to help the team finish their job. “Zombie Massacre” is too tedious to be taken as an action movie, and much too boring to taken as a zombie film. The zombie rampaging only occurs in mild bursts, offering little to no gore, while the action is only sporadic. “Zombie Massacre” is a ridiculous and tepid attempt at a zombie film, one that really doesn’t re-invent the formula, nor does it seem to want to.

The Blu-Ray from E1 comes with a two minute Storyboard Prologue, the one minute storyboards presentation, and two trailers. There’s also “Superfreak,” a forty minute glossy making of featurette with typical production tidbits and interviews.

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Friday the 13th: Jason vs. Jason X

My original thought was how the hell they’d explain Jason Voorhees fighting uber-Jason from Jason X. And the writers do a piss poor job of it. Maybe there are two realities in the future in where the space scavengers form a time rift? Who knows? What we learn is that Uber-Jason is not really Jason, but the head of Jason with a body compiled of nanobots, and robotic parts. He is kind of a pseudo-Jason, to be exact.

We learn in the two part mini-series that he’s convinced he’s Jason and is trying to re-claim the psyche of the original Jason to complete his memory and continue his mission to murder everyone and anyone who steps foot in Camp Crystal Lake. So Jason belonged to Earth Prime, which is now a wasteland, and the space crew from “Jason X” froze and destroyed Jason from Earth 2. That Jason was re-invented as a science fiction monster known as Uber-Jason. They then went to Earth Prime to capture Jason again, and learn from his regenerative tissues. That failed. Duh.

And now Jason is thawed and lurking on the abandoned ship. We now have two Jasons. So does that mean we have two Freddy Kruegers and two Pinheads and two Leprechauns? In either case, taking off from the “Jason X” special, the characters from Earth Prime that survive their confrontation with Jason end up on the party ship where Uber-Jason is, and as one female pilot attempts to flee, she ends up caught in between the battle of Jason and Uber-Jason for complete dominance.

As with the usual slasher fare, there are no characters we can root for, but this comic takes it to a whole other level. There are literally no interesting heroes or heroines here, and it’s mainly just pages of slaughtering hapless victims. The fight between uber-Jason and Jason also doesn’t warrant much sense, especially considering the Jason the writers chose to go with, in the end. Uber-Jason kills Jason, and puts his brain in to his own head to garner the crown of Jason Prime. So then what? Is Uber-Jason the primary design now? It’s all so unsatisfying, in the end.

Jason X Special [Avatar Press]

When Uber-Jason crash landed in to Earth in the end of “Jason X,” it turned out to be another virtual reality. In an effort to grab a part of his regenerative tissue to learn about his healing properties, a young scientist is able to snare and trap him. Since that doesn’t last long, things get worse when Uber-Jason’s psyche re-invents the memories of his mother as a computer system who begins controlling Jason’s thoughts and commands.

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Detention Of The Dead (2013)

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Director Alex Craig Mann’s horror zombie comedy would probably like to be considered an amalgam of “Shaun of the Dead” with “The Breakfast Club.” And while those attempts at claiming both territories are admirable, his film never quite lives up to aspiring for both heights at all. Mann’s film starts out respectably, taking beats from “Shaun” with moments of school activity interrupted by zombies lurking in the background and stumbling in to class. And then suddenly everything goes to hell. The problem is while it seems to enjoy “Shaun” very much, it’s never as humorous or clever. When it has the chance to compensate for that flaw by focusing on rich and complex characters, it doesn’t do that as well as it should, either.

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Perished (2011)

Perished

Despite its brutally predictable ending, the Australian short zombie film “Perished” is a grueling and terrifying horror entry. Once again, a storyteller has the idea to feature less zombie carnage and explore the minutiae of survival where every little step dictates whether you live or die by tooth and nail of the walking dead.

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