This is a side of director Shane Ryan that I’ve never seen before. Intended to be in competition for the winning slot in the highly publicized 2013 horror film “The ABCs of Death,” Shane Ryan gives us “T for Tag.” Now known as “Tag,” Ryan’s short film is a spooky, unnerving, and gruesome bit of revenge cinema that channels the likes of Takashi Shimizu for a short that’s based heavily on violence, murders, and the ever merciless demon of guilt that plagues our young protagonist.
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The Terminator (1984)
When James Cameron came aboard the “Alien” series, he essentially took what was a dark science fiction horror film and transformed its sequel in to a action packed monster movie. When it came to Cameron’s love child “The Terminator,” Cameron seemed to work in reverse starting his series off as a tale about a robotic monster from the future, and then transformed his premise in to a darker science fiction parable about the imminent apocalypse and the sheer labyrinth that is time travel.
TekWar: The Movie (1994)
Boy can your memories lie to you. I fondly remember watching “Tekwar” back in 1994 when I’d watch literally anything that was on TV. The station WPIX in New York launched a slew of television movies that were destined to become television shows in the immediate future, and “Tekwar” was one of them. Based on the novels by William Shatner, “Tekwar” began as a series of television movies, then it became a comic book series (I was never that desperate for comics), and inevitably became a television series. Since watching it twice in 1994, I only fondly remember the robotic hockey player who, at one point, has to battle Greg Evigan’s shady police officer character in a hockey rink.
This Is Spinal Tap (1984)
There’s a real under current of sadness and tragedy behind Rob Reiner’s “This is Spinal Tap.” As character Marty DiBergi, a commercial director looking to break in to film, Reiner stands back and films Spinal Tap, a group that is literally running against the clock to make some impact on music. Granted, the threesome of inept rock stars love music to death, but the sad fact is in all the years they’ve made music, they haven’t influenced anyone, nor have they managed to become legends like the Beatles or Led Zeppelin. Since music is an ever evolving and fickle medium, Spinal Tap has spent many decades trying to roll with the changing demand for different music and have literally lost all sense of their own identity. They produce massive presentations during concerts about druids and gothic cocoons, neither of which they have any interest in, and during desperate attempts to seem chic, they fail spectacularly.
This is 40 (2012)
For the majority of Judd Apatow’s film career, there seemed to have been a trend of movies about bromances and guys growing up thanks to gorgeous women in their lives. “This is 40” breaks that trend and seems more intent on two purposes: One it wants to desperately trot out Judd Apatow’s daughters as cute, witty, and irresistible to the point where casting agents will have to bring them on to their next movies, and two: to redeem the utterly despicable character Leslie Mann played in “Knocked Up.” Touted as a “sort of sequel to Knocked Up,” Judd Apatow sets his sights on the life of supporting characters Pete and Debbie to explore what they’re doing now that they’re turning forty and are still rather unlikable people.
The Thing From Another World (1951)
Upon its initial release, John Carpenter’s “The Thing” was poorly received both at the box-office and by critics. It didn’t help that it had been released around the time of “E.T” and its domination of pop culture, and that it had been considered by most to be a remake of a classic, barely flawed monster movie from the fifties. John Carpenter proved you can remake a film and provide your own twist without ruining the integrity of the original. “The Thing” is considered by most to be the closest adaptation to the original short story “Who Goes There?” around, while “The Thing From Another World” is not so much an adaptation and opts to create a hulking beast in place of an amorphous entity that hides inside human beings. Perhaps they thought it’d be too cerebral or dark for its time.
Tales from the Darkside: The Movie (1990)
So “Tales from the Darkside: The Movie” is based on the television show, but in the movie, “Tales from the Darkside” is actually a book filled with various horror stories. Does that mean the television show is actually a book? Is the narrator at the opening credits the one telling us the various stories? How did the witch in the film get a hold of the book? And is the witch Debbie Harry plays in the film the same one she plays in the episode “The Moth” where she portrays a devious teenage witch outwitting her mother? It’s never quite indicated. At all. I assume the film is attempting to be meta with the wrap around story, but it never quite works. However we do get a slight instance of the theme song to the television series playing during a scene in the opening.