Cosa Nostra: Franco Nero in Three Mafia Tales by Damiano Damiani – 3 Disc Collector’s Edition [Blu-Ray]

From Radiance Films, fans of the Italian crime cinema sub-genre will adore what this three disc box set has for fans, as “Cosa Nostra” features three key films from director Damiano Damiani and film icon Franco Nero. Included is “The Day of the Owl” with Franco Nero as a police chief who, while investigating the death of a construction worker, goes up against corrupt officials and a ruthless mafia boss (Lee J. Cobb). “The Day of the Owl” is adapted from the novel by Leonardo Sciascia; The Day of the Owl was the first book to openly deal with organized crime in Sicily.

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Creepshow (1982): Collector’s Edition [4K UHD/Blu-Ray]

“Just tell him to call you Billy!”

The one, two, three punch of George A. Romero, Stephen King, and Tom Savini is one of best, if not the best example of the horror anthology to date. While many have come before it, “Creepshow” really set the bar high in 1982. “Creepshow” (and its sequel) were basically the Boomer generation snapping back at the censors and government that helped bring down EC Comics and destroy what was a pretty excellent institution that was almost obliterated by puritans and the like. Thankfully “Creepshow” celebrates the whole spirit of EC Comics with a series of stories that practice in the formula of EC with themes about karma, revenge, poetic justice, and crime.

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The Flash (2023)

Like it or lump it, after delays, and delays, and restarts, and bad press, and alterations, and production problems “The Flash” is finally here. And–I lumped it. It’s not to say that “The Flash” is the worst movie from the DCEU yet, but it’s definitely not one of the best. It’s a shame as the trailers inspired so much optimism and enthusiasm, but at the end of the day, it’s a terribly mixed bag with occasional redeeming qualities. Beyond the fan service, and Easter eggs scattered throughout, “The Flash” is right at the level of “Shazam: Fury of the Gods”; whether or not that’s a positive perspective is up to you.

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BAD MOVIE MONDAY: Verotika (2019)

I’ve written at length about what makes a good bad movie, but what makes a BAD bad movie? This is what I’d like to talk about in today’s review because I think I found the perfect example. Here is a movie that is so bad, so incompetent, so mind-numbingly lazy, that I can’t just overlook its flaws and give it the benefit of the doubt like I normally would. This is a movie that is insultingly and aggressively terrible. Yes folks, I’m talking about VEROTIKA.
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“Robot Monster” and Seventy Years of the Ro-Man

Will be screening on June 24th at 3p.m. at Manhattan’s Dolby Screening Room, 1360 Avenue of the Americas. Tickets can be purchased online.

“The boy is impertinent!”

Ro-man is not quite an ape. And he’s not quite a man. He’s kind of a sentient alien who is smart enough to destroy civilization but not smart enough to be able to breathe Earth’s atmosphere sans his diving helmet. He’s a complicated Ro-man and no one understands him but his woman. Phil Tucker’s “Robot Monster” is a post apocalyptic survival film that conveniently evades all glimpses at the actual invasion and aforementioned apocalypse. The evil Ro-Man have invaded and destroyed Earth because—well—humans are bad. And to add insult to injury they monitor the remaining survivors in hopes of capturing and or destroying them.

They can never seem to make up their minds on that mission statement.

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Transformers: Rise of the Beasts (2023)

I’d like to believe that 2018’s “Bumblee” kind of rubbed off on the studios and it caused them to go in to another direction with their “Transformers” movie series. The “direction” being making their “Transformers” series watchable, entertaining, and coherent. Where as the previous films were all overlong, droning, loud, and obnoxious, “Rise of the Beasts” actually manages to be a very good time. And I say that as someone that’s been completely dismissing anything and everything about “Transformers” since the movies wound up being so god awful. “Bumblebee” being the exception, of course.

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Bone Cold (2023)

A sniper duo sent to the edge of a war zone to kill the head of a dangerous organization end up wandering the woods followed by something, before killing the incorrect target from bad intel and needing to stick around until they can eliminate the correct target. Something is definitely following them and getting closer. 

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