“My friend, you have seen this incident, based on sworn testimony. Can you prove that it didn’t happen?” And then with startling dramatic gleam, our babbling narrator Criswell declares, “Perhaps, on your way home, someone will pass you in the dark, and you will never know it… for they will be from outer space!” Only this sort of sheer nonsense could come from the one and only “Plan 9 from Outer Space,” one of the absolute best films ever made. It’s a film that is so bad you can barely look away throughout its run time. Films of this ilk like “Reefer Madness” and “Robot Monster” must be appreciated in the same vein.
Category Archives: Grindhouse Review Fest
Vanessa Del Rio: Fifty Years of Slightly Slutty Behavior (2007)
Vanessa Del Rio has slept with a lot of guys. And girls. And she was a prostitute. And you know what? She’s not ashamed of her past. Not a single bit. You have to admire her for that.
And to top it off, she’s not vehemently opposed to sleeping with you if it tickles her fancy either. That’s the general point of “Fifty Years of Slightly Slutty Behavior,” the notion that Vanessa Del Rio has slept with a lot of men and is not ashamed to admit that she’s loved every minute of it. While most porn stars in her age have all but renounced their pasts and forgotten their roots, she’s still the ravishingly down to Earth porn vixen who remembers every fuck and is not afraid to mention in detail most of her escapades.
Barbarella (1968)
Jane Fonda is at her sheer sexiest starring in this psychedelic science fiction flick based on the comic book, as Barbarella an astronaut from Earth who is sent to Sogo to look for the missing scientist Durand Durand. From the opening scenes where Barbarella is floating undressing from her space suit during craftily placed title sequences, you know you’re in for something out of this world. Let the innuendos and softcore porn fly! Watch Jane Fonda flirt, watch Jane Fonda strip, watch Jane Fonda be raped by a music machine as Durand Durand strums it along.
Who Can Kill a Child? (Quin puede matar a un nio?) (1976)

In the sub-genre of killer children films, “Who Can Kill a Child?” is the best I’ve ever seen. Sure, many people will choose “Village of the Damned” but for my money, it doesn’t equal the grit and grim atmosphere of director Narciso Ibáñez Serrador’s horror film. Not by a long shot. “Who Can Kill a Child?” experienced a lot of censorship and banning upon its initial release, because it’s a film that doesn’t flinch from its premise.
Eden Lake (2008)
Director James Watkins survival thriller is one part mediocre social commentary, two parts solid thriller, and one part moronic drama. “Eden Lake” seems to want to be it all, offering characters that simply can’t let their confrontation with rowdy teens go, all the while hinting at the complexities of dysfunctional violent home and how they breed violence within their confines. But much of that is destroyed when Watkins seeks to turn his juvenile villains in to scowling black and white monsters motivated on violence and violence only. There aren’t any shades of grey to them until the very end, and by then the movie has become so ludicrous it’s hard to soak in the thoughts on the vicious cycle of violence.
The Retirement of Joe Corduroy (2013)

Director Mike P. Nelson’s “The Retirement of Joe Corduroy” is a fantastic throwback to the revenge films of the seventies, mixing “Death Wish” with a dash of “Taxi Driver” for good measure. I didn’t think Director Nelson could really offer anything new for a plot about a middle aged avenger, but lo and behold I gazed in awe in the final minutes of the film that were immensely trippy in the grand tradition of the seventies.
The Killers (1964)

There aren’t many films in the ilk as Ernest Hemingway’s “The Killers.” Though I’ve yet to see the Burt Lancaster original from 1946, “The Killers” is never without its assortment of merits and high points. You want cool? You turn to Clu Galagher. You want power, you turn to Lee Marvin, and lo and behold, “The Killers” teams both actors together to form a B grade thriller that’s stylish and entertaining. The duo Siegel’s film centers on are a searing team of hit men. Clu Galagher is bad ass, and Lee Marvin is just great. I can see why Quentin Tarantino would be inspired by this for his own characters Vinnie Vega and Jules Winfield.

