In spite of what you may think of the current state of “The Simpsons,” the fact remains that the show is a dynasty and the annual “Treehouse of Horror” episodes however bland or mediocre they have become are a tradition and one that garners good ratings for FOX every year. “Treehouse of Horror” began as a little nod to Halloween with spoofs of The Twilight Zone and classic urban legends and soon rocketed in to something of an event for the entire crew of The Simpsons to satirize and poke fun at classic horror movies to great episodes of The Twilight Zone. Zombies, King Kong, Robots, Monkeys Paws, Aliens, Witches, Frankenstein, haunted houses, nothing was off the table, and this allowed the creators of the series to throw a party every year for us horror fans to show us what they can do when they rode off the rails of the storyline and allowed for some fun to be had and blood to be shed.
Though none of the new installments have actual tree houses, the origin of the yearly gimmick began with “Treehouse of Horror” where Homer, deciding to scare Bart and Lisa, begins listening in on separate horror stories told by Bart and Lisa in a treehouse, both of whom tell the scariest stories they can think of in an attempt to scare each other. What begins as mocking laughter soon transformed in to Homer going back to bed that night realizing he couldn’t quite go back to sleep thanks to the effectiveness of a good horror story, properly told by two little children with a lot of imagination. While none of them are at all really disturbed by one another, Homer has learned that a good horror story can do wonders for inducing insomnia. Horror is best when imagination is at play, and “Treehouse of Horror” took what was a one and done little nod to Halloween and turned it in to its very own gimmick going balls to the wall every year devising some of the best moments in the series barnone.
Here are ten of our favorite moments from “Treehouse of Horror,” episodes brilliant, hilarious, and just plain memorable.
While “Halloweentown High” really isn’t the most subtle of films with monsters and knights acting as symbolism for civil rights, it does excel in fully realizing the character of Marnie who is no longer a student and now just a matriarch of other students looking to make their way in to the human world. Kimberly J. Brown is as good and charming as ever in the role of heroine Marnie who takes it upon herself to play civil rights leader by insisting some of the monsters from Halloweentown should be allowed to go to human school for the sake of diversity and equality. The catch is by Halloween if she hasn’t made progress, her powers will be stripped away. This allows for a more open forum for new characters, all of whom have their own likable traits and quirks. One if a goblin, another is a werewolf, another a wood nymph, and so on. Marnie plays more of a protector this time watching over the new exchange students, and falling for a new guy named Cody.
