One of the most feared assassins of the Joseon dynasty finds himself in a position where he can no longer practice his craft, having a heart condition that limits his capacities. He soon finds himself in a village, working as a restaurant server when he is pulled back into his previous career.
A group of women heads out to a remote cabin to celebrate the bachelorette party for one of their own. Once there, they are attacked by a group of men who have something to hide and do not want any of them blowing the lid off their secret.
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
Bugs Bunny Nips the Nips (1944)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Gerry Chiniquy
The best way to approach “Bugs Bunny Nips the Nips” is by examining it within the context upon which it was released. This was during World War II where anti-Asian sentiment was high. So, typical of movie studios at the time, the animators at Warner brought their iconic Bugs Bunny in to the war to fight a spiritual battle on screen against Japanese enemies. “Enemies” is putting it lightly. They’re horrendous Japanese stereotypes and clichés, and the animated short never misses a beat. There’s the Japanese that sounds like gibberish. There’s the big buck teeth, the bug eyes, the fractured English, the big glasses, there’s the appearance of a Sumo Wrestler for some reason, and yes, Bugs Bunny dresses as a Geisha girl to woo the sumo wrestler.
There’s also Bugs referring to them as “Japs” for most of the picture.
It pains me to say this but “Fear the Night” is by no means top tier when it comes to survival home invasion thrillers. I love Neil Labute, and I love Maggie Q, I think they’re both great. I also love me a good home invasion film or survival film. But “Fear the Night” feels like someone along the way watched 2011’s “You’re Next” and thought: I can do that! “Fear the Night” has all the obvious influences with none of the context or subversive behind it. The villains even attack with their faces covered and garner their own hunting weapons including a bow and arrow.
The review I did for RISE OF SKYWALKER was a bit serious and gloomy. So I’m going to lighten things up a bit and talk about something fun this time. Today’s review is for a movie called DEADTIME STORIES, a horror anthology from 1986 that retells twisted versions of old fairy tales. Well, kinda. They do Little Red Riding Hood, and they do Goldilocks and The Three Bears, but the first story about witches isn’t really based on anything specific. That’s okay though, there’s enough nudity and gore in all three of these stories to make up for any disappointment that we’re not going to be getting a story about Humpty Dumpty as a serial killer or something. The film stars Scott Valentine as Peter, Nicole Picard as Rachel, Matt Mitler as Willie, Cathryn de Prume as Goldi Lox, and Melissa Leo as Judith “MaMa” Baer. It was directed by Jeffrey Delman. It was written by Delman, and J. Edward Kiernan, and Charles F. Shelton.
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I think one of the reasons why Clark Griswold is so famous is that he’s basically the every man. He’s the man who is tasked with giving his family a good vacation even though he’d rather be home. He’s obligated, and the further he goes forward the harder it becomes to give up and go back. “Vacation” is the prime National Lampoon’s road trip movie where it’s anything but the norm from this sub-genre. Harold Ramis depicts not just a middle lower class family’s attempts to go on vacation, but for Clark Griswold to use it as a moment to savor his family.
BOOTLEG FILES 836: “Here is Germany” (1945 propaganda film directed by Frank Capra).
LAST SEEN: On YouTube and other online sites.
AMERICAN HOME VIDEO: On public domain labels.
REASON FOR BOOTLEG STATUS: No copyright was ever filed on the film.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope, it is doomed to public domain hell.
During World War II, the U.S. government churned out scores of nonfiction films aimed at both the enlisted military personnel and civilian audiences. Many highly regarded Hollywood filmmakers received commissions from the military and worked to create productions that would artistically drive the message about why the nation was at war and what it hoped to achieve.
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