In 1988 my kindergarten class was having a Halloween party with just the class immediately after lunch. It was a very exciting experience for me considering I’d never done anything like that before. At the time we couldn’t really afford elaborate or huge costumes, so my dad bought me a generic mask in a box with the classic plastic smock. I was a mutant. So for a few Halloweens we opted for the sweaty plastic mask with no peripheral vision, and odd smock. That is until they were phased out. For years one of the highlights of Halloween was seeing the rows of boxes of plastics masks and smocks for various characters from Superman to Popeye.
House of the Witch (2017)
There’s something kind of charming about Alex Merkin’s “House of the Witch.” It’s a straight up rip off of “Night of the Demons” while also feeling a lot like a fan film for “The Blair Witch Project.” It’s part are all from much better movies made before, but even at its most clunky, I didn’t have a bad time. “House of the Witch” is that kind of movie you could probably appreciate as a passing treat on a random night if you had absolutely nothing to do. I also found the final scene to be pretty damn clever, as it at least gives us a reason for the seemingly random series of events that unfold.
The Lasting Mark of John Carpenter’s “Halloween”
The best way to explain the considerable impact John Carpenter’s original slasher has had on me can best be expressed through that infamous Halloween eve when I was a kid. Long before cable, network television played horror movies on Halloween; My brother and I were given the option to watch either “Creepshow” or “Halloween” my brother and I took the option of sitting to watch “Halloween.” I can fondly remember it as one of the worst Halloweens ever because when we sat to watch John Carpenter’s classic we were so scared by the second half that we started crying. This decision later was regretted by us and my mom took the time out to calm us down by letting us watch “Creepshow.”
Simon, King of the Witches (1971)
The explanations I’ve read on online for “Simon, King of the Witches” insist that the obscure Andrew Prine movie is not meant to be taken seriously. It’s strictly dark comedy. But then you watch one of the most nonsensical unnecessary opening monologues ever filmed, and wonder if the writer himself was high while creating this genre confused tedious mess. “I really am one of the few true magicians,” Simon insists in the prologue, while declaring his affinity for magic, and aspirations to be a god. It is then followed by the man being arrested for vagrancy while being hulled away from his home: a sewer.
The Ringu Collection [Blu-Ray]
One of the most influential J-Horror movie series has been compiled on to Blu-Ray for the first time in typical Arrow Video deluxe fashion for cineastes and fans alike. Anyone that loves the “Ringu” movie series will enjoy how the series is compiled in basic chronological order rather than release date order (Oddly enough the 2002 American remake and “Sadako vs. Kayako” are not included). Despite “Ringu” being one of the most influential entry of its kind (giving way to the superior remake, which rocketed the big J-Horror boom of the aughts), the movies have never really seen a Blu-Ray release. But that’s changed as Arrow has brought fans a wonderful new set.
Batman Beyond: The Complete Animated Series – Deluxe Limited Edition [Blu-Ray/Digital]
It’s the perfect storm of fandom this year, as Batman is celebrating eighty years in pop culture, while “Batman Beyond” is celebrating its twenty year anniversary. For 2019, Warner finally unleashes their fantastic follow up “Batman Beyond” on Blu-Ray in a stellar Limited Edition box set that is also conveniently in time for Halloween and the impending holiday season. With the Limited Edition featuring an exclusive Batman Beyond Funko Pop, and the inevitably regular set coming down line, Warner will cash in for sure. “Batman Beyond” is still the juggernaut follow up to the classic Bruce Timm “Batman” series that hasn’t aged a bit, despite being conceived during a period where everything had to be futuristic, and darker.
The Stuff (1985)
Larry Cohen’s “The Stuff” is one of those “so bad its good” horror comedies that’s managed to creep in to the collective consciousness of movie buffs since its release and for good reason. While much of the movie is so painfully ridiculous, it also kind of comes packed with a still very relevant message about consumerism and our obsession with junk food. You could mock it all you want, but when the credits roll, its message is a lot more sophisticated than bad green screen and horrendous sound design. Cohen’s film is wildly uneven in tone and never really decides if it wants to be sci-fi, horror, comedy, or complete satire.