Yes, we’ve all heard it already. It didn’t deserve to win Best Picture. It didn’t deserve all of its accolades. Now go away and tell us about how you don’t care about the Oscars, hypocrite. Now that we’ve gotten past the whining, “The Artist” is a film that is generally one of the finest films of 2011. It was a year of utterly underwhelming pictures, and “The Artist” took the accolades left and right because it was and still is a deserving ode to the era of cinema that left many actors out in the cold once sound was introduced to an eager audience. Even as a silent picture it works in developing rich and empathetic characters along with a truly sweet and heart warming story about friendship and love and remembering those who helped you rise to stardom.
“Rhino” is an immense departure from director Patrick Rea’s norms in the film world. Typically Rea is more prone to delivering more darkly comic or horrific films that are often quite excellent. So it’s rather jarring to see Mr. Rea tackle what is possibly one of the best crime dramas I’ve seen in recent memory.
