5 Movies in 2016 I Liked That Everyone Else Didn’t

With movie critics getting more and more stigmatized by bitter movie studios and petty film directors, it’s a good thing to know in the end that they’re all just opinions. This year I watched so many movies, and as always, my opinion is never gospel or the final word on any film. In 2016 I managed to like a few movies that were critically destroyed and I don’t apologize for finding value in these flops. I probably won’t go out to buy them, but I won’t flip the channel if they’re ever on cable, either.

What were some movies you liked that everyone else didn’t? Let me know in the comments.

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The 10 Best Films of 2016

This is one of the first time in years I’ve had such a difficult period deciding which movies had to be cut from my top ten and which deserved to stay on. Of course I didn’t catch every thing I wanted to, as probably Manchester by the Sea and Edge of Seventeen may have been on the list, if I saw them. So while there are some omissions out of my control, this is the ten I ultimately stuck to. This is the ten best movies I saw in 2016, along with a big list of potential place holders I quite loved, just the same.

Movies in 2016 that almost made the list includes the moving science fiction thriller Midnight Special, the touching sequel Finding Dory, the elaborate and beautiful The Handmaiden, the fun Ti West western In a Valley of Violence, the superb and very scary sequel The Conjuring 2, the fun and moving Rogue One: A Star Wars Story, the hilarious and raucous antithesis to the superhero movie Deadpool, the sweeping fantasy thriller Doctor Strange, the incredible crime drama Hell or High Water, the very fun Adam Wingard reboot Blair Witch, the moving and fun teen drama Sing Street, the teeth grindingly compelling 10 Cloverfield Lane, and the chaotic survival thriller Green Room. Kudos to everyone behind these top notch movies I plan to revisit again and again in the coming years.

Now on the Top 10…

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The Song Remains the Same (1976)

Joe Massot and Peter Clifton’s excellent “The Song Remains the Same” is one of the best and most dynamic looks at Led Zeppelin performing for a massive audience. The directors able to grab a lot of their synergy by filming many of their solos and brilliant iterations of their classic songs with dynamic camera angles and strobing colors of red and stark blue. Though I’m not a fan of “No Quarter,” their rendition of it here is incredible, especially considering the way the performance as a whole is lit, allowing for a unique fever dream kind of visual that feels like Ken Russell dipped his fingers in the direction here and there.

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Rock & Rule (1983)

“Rock & Rule” is a wonky, surreal, and entertaining animated musical that feels like Ralph Bakshi, Don Bluth, and “Heavy Metal” magazine were combined in to such a frantic cult gem. The 1983 movie has gone through years of being an underground classic, and has finally been embraced for such an ahead of its time science fiction tale. The animation for “Rock & Rule” is completely out of the box, resembling rotoscoping in many aspects, and opting for character models you don’t often find anywhere else. “Rock & Rule” is a science fiction, punk rock, steam punk tale set many years in the future after world war III wiped man off the face of the Earth. The only surviving species are cats, dogs, and rats. They have evolved in to anthropomorphic mutants, all capable of thought and speech.

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La La Land (2016)

I don’t know if I’d ever call “La La Land” a masterpiece. I wouldn’t even call it a great movie. But it at least gets an A for effort, anxiously trying to evoke the classic musicals of Hollywood’s yesteryear that has a lot of first year theater students salivating over. “La La Land” is a neat and charming little novelty, and one I was thoroughly invested in, mainly for the fantastic photography. “La La Land” looks gorgeous, especially when characters Mia and Sebastian are sitting on a park bench at dawn, dancing and singing. But that’s about the entirety of the film’s merits. The cinematography and special effects are fantastic, but don’t actually compensate for a weak storyline, and forgettable musical numbers.

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Kubo and the Two Strings (2016)

“If you must blink… do it now!”

It just serves to prove my theory that bad animated movies can be excused since they’re “for kids” is a cheap cop out meant to let crap pass by us. Animation studios are providing amazing kids fare, including Laika who seemingly snuck out of nowhere to deliver yet another stop motion children’s masterpiece. “Kubo and the Two Strings” is probably their great animated stop motion achievement to date. It’s an immense, epic, and heartfelt ode to the art of storytelling and the power of memories. It’s teeming with fantastic Asian folklore offering a very respectful view of its characters, and creates a wonderful hero who is capable of defeating evil not with his fists or guns, but with magic and his ability to think outside the box.

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Max Steel (2016)

I wish Mattel would stop forcing Max Steel on the unsuspecting American public. After many years, the company insists on introducing this action figure line in its new forms, and it’s exhausting to say the least. Back in 2000, Mattel re-introduced Max Steel in a very entertaining CGI cartoon with the main character as a cybernetic spy–because CGI and spies were big in the early aughts. When trends shifted, Mattel re-re-introduced the character in 2013 in to a younger character and in the mold of a pseudo-Iron Man since Iron Man has changed how movie studios approach science fiction now. After that failed, Mattel has given us Max Steel once again, and turned him in to a cybernetic superhero with an enigmatic past. This Max Steel is an amalgam of Guyver, Iron Man, and Star Kid, and is an infinitely grating, and ugly kids film.

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