I don’t quite remember if in 1993, “Judgment Night” was a hit at the box office. If not, it surely deserved to be. Watching this movie is like a show, and it presents audiences with its ups and downs of cinematic action that you’ll remember for a while. Emilio Estevez is an unlikely hero, Denis Leary is a surprisingly horrifying villain, and Cuba Gooding Jr. with his constant gaping jaw, shivering flared nostrils, and quivering dialogue delivers a performance that’s so over the top it’s as if the director has a gun trained on him throughout the entire production.
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Journey 2: The Mysterious Island (2012) [Blu-Ray/DVD/Ultraviolet]
I’m one of the very few people who actually enjoyed “Journey to the Center of the Earth” for what it was. It was nothing more than a ninety minute roller coaster ride with 3D specks that took the audience through some fun sights and sounds. “Journey 2” is basically the follow-up practicing that very routine all over again. It’s intent is to take you through the various dangers and awe inspiring wonders of the mysterious island before actually telling a story or exploring its characters. One thing it does have going for it, is that it makes reading and compiling information look sleek and exciting. If Dwayne Johnson is doing it, maybe the young audience this film appeals to, will.
James Batman (1966)
It would be a rare treat if one of the many Batman rip-offs from one of the many foreign countries would actually get Batman right. I think my head would explode if I stumbled on to a Batman wannabe that channeled the tone of the Batman comic books. But, like every other Batman knock off, “James Batman” is a copyright infringing take off on the Adam West Batman series even including a variation of the iconic theme song. This version of Batman however is played as a buffoon by Filipino comedy star Dolphy who takes on the cape and cowl and makes Batman someone as immeasurably incompetent as Inspector Clouseau.
J. Edgar (2012) [Blu-ray/DVD]
For a film directed by someone as beloved and accomplished as Clint Eastwood, it’s hard to fathom that such a film would come off so amateur and tedious to sit through. Leonardo DiCaprio goes whole hog for Oscar territory delivering one of the worst performances of 2011 mimicking the drawl of J. Edgar Hoover but often times sounding like a man overplaying his role in a local community theater production in New Hampshire or something. “J. Edgar” has no style to it, nor does it possess an iota of compelling tidbits about Hoover’s life and career. Mostly it places gaudy cinematography above all else and aims to merely gloss over much of what J. Edgar had accomplished or fumbled in to.
Justice League: Doom (2012)
It’s the Justice League’s worst nightmare. After years of battling petty thugs like the Royal Flush Gang, someone finally figured out how to systematically bring down each and every member of Earth’s most powerful super team. And worse, they’ve figured out a way to psychologically destroy them so they’re each rendered completely impotent in battle. Vandal Savage is at his megalomania again and he has a master plan that will completely ruin how the world operates leaving him the supreme ruler. But first he must eliminate the Justice League. Through a series of scenarios and calculated confrontations, Savage manages to succeed in immobilizing each member of the justice league allowing him adamant time to complete his plan. But he doesn’t count on the secret weapon: Cyborg.
Just About Famous (2010)
I really hope Blue Collar Films manages to re-visit “Just About Famous” someday, because there is at least ninety minutes of entertaining material to be tapped from the lives of celebrity impersonators and their confrontations with people who are convinced they’re the iconic celebrities they resemble. However as a fourteen minute feature, “Just About Famous” is a hysterical and absolutely entertaining documentary about the lives of a small group of celebrity impersonators who resemble some of the most famous people in America, for better or for worse.
Jackass 3D (2010)
“That’s the story of Jackass there! Pissing in the wind!”
Sure, “Jack Ass” May have stumbled with the first film which was just so many layers of pure awful.
Knoxville (pictured) getting mauled. For fun!
But with the sequel, Johnny Knoxville and the guys sort of learned their lesson in spite of its success and turned their antics in to performance art of a sorts. They’ve taken the art of acting like morons and turned it in to a form or pre-orchestrated and carefully planned nihilism that is both very funny and always has something of a point to make.
Take for example the sheer ludicrousness of Knoxville dressed as an old man making out with his under aged (an obviously aged actress pretending to be a teen) grand daughter and no one at all reacting to the display of the two kissing and nearly dropping down to the floor humping. It’s insane how by now Knoxville has figured out that he’s never going to be anything but the man behind “Jackass” so he’s taken that and made it in to a form of art where it’s often a new kind of silent film.
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