My Five Favorite Movie Masks

purge_edWhether or not you like “The Purge” movie series, the third film in the franchise entitled “Election Year” is on its way and looks to be pumping up the schlock we saw from the first two films. The wise move the studios have taken is placing better, and larger emphases on the villains and purgers of the film, rather than just giving us posters with the protagonists. The villains have been the most eye catching aspect of “The Purge” series mainly because they always have the best face paint and masks. In honor of the excellent one sheet recently released, I thought I’d narrow down my top five favorite movie masks of all time. It wasn’t an easy feat, but it sure is a fun one.

What are some of your favorite movie masks of all time? Let me know in the comments.

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Dinosaur Valley Girls (1996)

DVG“Dinosaur Valley Girls” is a film I remember watching in the days of cable TV when it was a haven for bad films. Much of the nostalgia flashes back with what is a guilty pleasure that revolves around boobs and hammy acting. Tony Marco, an actor tired with the monotony of a mansion, fame, a gorgeous sex starved girlfriend, and a mistress, finds himself wanting more in life. Who could ask for anything more, eh? Well, for Tony, he desires much more, something more down-to-Earth, and natural—especially now that he’s haunted by dreams of a blonde cave woman.

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Zapped Again! (1990)

zappedagainThe follow up to “Zapped!” obviously wants to be thought of as a legacy follow up to the original Scott Baio movie but has none of the budget to pull off the fantasy we saw in the original. There almost seems to be no budget for our main character Kevin to pull off the infamous mind tricks, so a lot of his powers involve moving things very slowly with his minds, and often making people slap themselves. Even in the climax where we know we’ll see a reproduction of the original film’s climax, people instead rip their own clothes off rather than have the clothes ripped off by the main character. Pretty much a sequel in name only, “Zapped Again!” stars Todd Eric Andrews as Kevin.

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Reversion (2015)

reversionThe makers of Oubli, a device that allows its wearer to relive moments from their past, prepare for a huge launch which could make or break the company.  Sophie Cle, daughter to Oubli’s creator Jack Cle, is the biggest proponent of the device.  That is until she gets kidnapped and shown a different truth which makes her question everything she knows.

Reversion was directed and co-written by Jose Nestor Marquez with writer Elissa Matsueda. Previously, Marquez worked on a film called Isa about a conspiracy through the government to control thoughts/minds.

This film is connected to Reversion on more than a thematic level as one of the supporting characters in Reversion is named Isa and played by the same actress.  The story here revolves around a device called Oubli which means something akin to “forgotten” or “not remembered” in French, a device made to help people remember and relive specific memories.  The cost of this is not simply monetary as more is at risk.  The story here explores the ethics and repercussions of technological advancements.  The main character is Sophie Clé whose last name means “key” in French, another name that is not accidental.

The characters and situations build a mystery wrapped up in technological advancements which keep the viewers’ attention throughout. Sophie Clé is interpreted by Aja Naomi King who turns in a solid performance of a character with hidden information within herself which is not an easy part.  Supporting her are Gary Dourdan as her driver, Colm Feore as her father, Jeannette Samano as her kidnapper, and Amanda Plummer as the mysterious woman with a lot of information.  All turn in good performance, Feore and Samano giving the best ones of the support group with layers being peeled back as the story evolves.

The film is shot in two different styles, one for the main story and one just slightly different for the memories brought back by the Oubli device, adding to the mystery of whether or not these memories are real or not and as to if they have been tinkered with to make their owner happy. To support these styles, the score is created in part within the movie for the Oubli sequences which have a dream like feeling in great part due to the sounds and music making their ambiance felt by the viewers, immersing them into the character’s experience. This effect adds a lot to the movie and its atmosphere as a whole.

Reversion is an interesting watch that will make the viewer think about how far technology has come, how far it could go, and if it should be allowed to go that far.  The film keeps the mystery and intrigue going throughout its runtime while not giving everything away, making it a movie with a rewatchability factor.

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Epic History X-Men, Volume 3: The Dark Phoenix Saga

EpicHistory1There’s no bigger an X-Men fan online than Comic Book Girl 19. The web personality has made her claim to fame from online personality to bonafide geek goddess by providing insightful, lucid, and very controversial opinions about comic books and pop culture in general. Among some of the biggest pop culture dynasties, Comic Book Girl 19 is one of the most passionate X-Men fans around. Like me, she hates the movies, but loves the X-Men comics and longs for a day when we can finally see them adapted properly on the big screen. “Epic History X-Men” has nothing to do with the movies, and is in fact about a certain stream of storylines and character arcs involving the X-Men.

Comic Book Girl 19 and director Tyson Wheeler have their cut off point, and end episode three of three with the “Dark Phoenix Saga.” The massive science fiction arc was penned by Chris Claremont and is one of the most complex, complicated, and unusual storylines ever put to the comics. And Bryan Singer actually is going to try to simplify it for one or two films. That aside, “Epic History X-Men” is a fantastic and very entertaining documentary where Comic Book Girl 19 and her sidekick Robot lay out the events of “The Dark Phoenix Saga” and explain the storyline’s nuances and emotional strong points as thoroughly as possible.

Though the series as a whole could just being Comic Book Girl 19 sitting in a chair and laying out every point of the storyline, she and director Tyson Wheeler switch up the monotony by adding splashes of panels from the comic books. They also animated a lot of the panels, and even add their own voice overs and great sound effects, all of which really add a flavor and excitement to an already enthusiastic host. Comic Book Girl 19 loves the X-Men, and she seems to have a ball describing every storyline, from Jean Grey returning as the Phoenix, the big rumble with the X-Men and an erotic mutant organization called the Hellfire Club, Wolverine taking down a whole army of guards single handedly, to Jean’s eventual transformation in to the dark side as the Dark Phoenix which ultimately split the team apart.

Comic Book Girl 19 even takes the time out to introduce her favorite X-Men: Dazzler. Dazzler is a light controlling mutant that Comic Book Girl 19 has fought for, defended, and consistently taken scrutiny for favoring over everyone else in the comics, but makes a darn good case for the character’s significance to the “Dark Phoenix Saga.” What’s punctuated through most of Volume 3 is that the “X-Men” isn’t just a series about young people going on adventures. It’s a long and very unique consistent epic about people with extraordinary powers from various ethnicities and nationalities fighting for humanity, and learning that they themselves are human, in the end.

Though considerably low budget, “Epic History” volumes 1-3 garners some bang up production with excellent voice work. They’re undoubtedly very exciting, entertaining, and heartfelt glimpses in to only some of the most important storylines in one of the most unique and original characters in comic book lore. Comic Book Girl 19 treats the material with great reverence and will likely leave you seeking out the books and appreciating the characters so much more. Suffice it to say I had more fun with the third chapter than I did with “X-Men: Apocalypse.”

“Epic History X-Men Volume 3: The Dark Phoenix Saga” is now available on Vimeo On Demand.

Five Ways to Fix “Arrow”

Arrow-season4Well, “Arrow” season four has come and gone and let’s face it: The season finale stunk on ice. Even “The Flash” season finale, which didn’t progress our characters very much, was still so much better than “Arrow’s” finale which, from beginning to end, was a sloppy, silly, stupid, plot hole filled mess. Once upon a time, “Arrow” was the big gun in the CW action universe, but now it’s lagging behind. The goofy “Legends of Tomorrow” is assembling the mythical “Justice Society of America,” while “Supergirl” is set to join her DC super pals on the CW Network very soon.

If “Arrow” doesn’t pick up its game, it’s going to be the show that’s wading in tepid water, while the other action series’ are aiming for bigger ambitions and outside the box storytelling. Here are five ways “Arrow” can be fixed to get back to when it was an entertaining crime thriller about a vigilante seeking redemption.

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X-Men: Apocalypse (2016)

xmenapocalypseAt the end of the day, “X-Men Apocalypse” is a big step up from the films in the series that preceded it, but it’s still just a Bryan Singer “X-Men” movie. Its two and a half hours of surface level action and superficial ideas that still haven’t broken in to the more complex themes of prejudice, racism, hatred, and bigotry that have made the X-Men property so beloved and widely embraced. Six movies later and only now FOX seems to be getting that a big advantage of the “X-Men” movies is that there are so many fascinating heroes and average people turned in to heroes of varied shapes, sizes, and colors. Only now that Marvel has embraced the team movie are Singer and FOX transforming the “X-Men” in to a team franchise.

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