It’s a shame that “The Good Dinosaur” will forever be regarded as one of Pixar’s black sheep titles. Because as a whole it’s one of their most original and unique tales that channels the modern Western to invoke a tale about family, getting over one’s own shortcomings, and learning that life is often senseless and unfair. Pixar uses the aesthetic of the dinosaur to help induce the idea of nature and how the environment around us is both an element we must fear and respect in the long run. As with most Pixar films, “The Good Dinosaur” doesn’t justify the idea of death with simplicity, nor does it coddle the intended target audience. It instead takes us through a large journey and tells us that yes, life is hard, yes life is very unfair, but that doesn’t mean we have to stop living.
Tag Archives: Survival
Refuge (2016)
Andrew Robertson’s post apocalyptic drama is quite the accomplishment. it’s almost like a zombie film without the zombies, focusing primarily on the threat of mankind and how ugly we can be when the resources run low. Robertson’s film presents a villain in every person that the family we center on meets, and how vile people can be when they’re hungry and dehydrated. “Refuge” is set directly after a pandemic involving a plague that is untreatable with any known antibiotics. After most of the population is wiped out, the rest of mankind is left foraging for food and trying to maintain some sense of humanity.
Five Reasons Why “The Warriors” is the Best Gang Picture Of All Time
PLAYING AT THE YONKERS ALAMO DRAFTHOUSE SUNDAY, MARCH 20TH; MORE INFORMATION HERE
I was introduced to Walter Hill’s “The Warriors” thanks to my dad who rented the film on VHS back in the early nineties. For him it was a long time favorite, and our entrance in to the gangster action picture gave us a look in to a surefire classic that has gone unparalleled since its release in 1979. Hill adapted the movie from the original novel, which itself was taken from a period tale by author Sol Yurick, and took us in to a world steeped in crime and violence where an inconspicuous group from Coney Island has to prove themselves and survive long enough to make it back to their home turf.
With admittedly exaggerated depictions of gang war fare, along with a slick depiction of action and combat, it’s hard to believe “The Warriors” garnered such controversy during its time. Hill’s film live on an as iconic action survival picture set in the urban jungle where a big for peace, inspires all out war thanks to a psychopath and a revolver. With one gun shot, The Warriors are marked and targeted by every gang in New York, forcing them to rely on their wits and each other to get home by dawn and re-unite with their legion of members. With “The Warriors” playing at the Alamo is Yonkers; I thought I’d list five reasons why Walter Hill’s film is still the best Gang Picture of all time.
Extinction (2015)
Miguel Ángel Vivas’s is essentially “I Am Legend” with two men and a little lady, fighting off the elements with TV quality special effects and so so direction. And in the end we’re left with a mediocre apocalypse film that at least tries for something unique and different. The opening is kind of a riff on “28 Days Later,” and there are some take aways from “The Walking Dead,” but I have to give it to writers Alberto Marini and Miguel Ángel Vivas side stepping the same old zombie apocalypse doldrums. Even if the prologue does involve that same zombie carnage we’ve seen a thousand times over.
Cabin Fever (2016)
It’s no secret what my feelings are about 2003’s “Cabin Fever.” I hate it. I despise it. If I could go back in time, I’d prevent myself from spending money on it in theaters and instead go see the mediocre “Underworld.” It’s one of the most painful movie going experiences I’ve ever endured, and I welcomed a remake. Surely, it’s disgraceful that in this day and age “Cabin Fever” has had two sequels, and a remake, while films like “Behind the Mask” are scrounging for money for a follow-up. But Hollywood is Hollywood, and people love their trash. Thankfully, 2016’s “Cabin Fever” is a superior remake, even if it is still abysmal nonsense.
Night of the Slasher (2015)
Director Shant Hamassian’s short horror film is a rather excellent meta-tale that takes the classic horror slasher movie tropes and places them in to a new light. What if you could control the idea of the slasher coming to your door attacking with you a set of rules a la “Scream”? That’s the case for a young beautiful girl who is home alone at night. When we first see her, she’s this insanely sexy girl dancing in her lacy skivvies, but upon fully glancing at her person are a witness to the stitched wound she wears on her throat. The scar and silence says all, as she was clearly the victim of a vicious attack by a killer meant to end her life, but somehow survived.
The Woods (2014)
Director Remington Smith’s “The Woods” is quite an accomplishment, mainly because it’s a film set in the middle of a snowy tundra implementing zero special effects. The centerpiece of “The Woods” is our character’s surroundings and how she has to adapt to the snowy wasteland of the woods. Apparently Smith and cinematographer Joshua Yates used mostly natural lighting for their film, resulting in a masterfully eerie and haunting short film set during a fight for survival. There’s so much conveyed in “The Woods” and yet there isn’t single word of dialogue spoken.






