Killbillies, also known as Idyll and Idila, follows a group who goes out to the mountains for a photoshoot and gets interrupted by the local hillbillies hell-bent on killing them. Writer/director Tomaz Gorkic takes the hillbillies in the woods tropes and transposes them to Slovenia. The story basis is one the public has seen a bunch of times before: city people trespass on hillbilly family land and suffer the consequences. The story is one that has been seen before, however its development and added details such as the alcohol the hillbillies produce and the fact that the group in danger is of varied adult ages gives the film an edge.
Tag Archives: Thriller
Dead Rising Endgame (2016)
It’s a damn shame that the Crackle team couldn’t follow up the entertaining first “Dead Rising” movie with an even better one. “Endgame” is a very disappointing follow up that spends most of its ninety minute run time involving government cover ups, potential military strikes, and reporters trying to get the word out about corruption. Every now and then the movie decides to dole up some zombie carnage. And even then it’s disappointing, since the story slowly drifts away from zombies and begins focusing on more rabid mutants that the government has been testing on. The narrative for a movie like this shouldn’t be so hard to follow but lo and behold when I wasn’t drifting off from boredom, I was anxiously trying to figure out how any of this worked.
In a Valley of Violence (2016)
In a year where Hollywood is trying very hard to resurrect the star studded Western once more, Ti West comes along and casts Ethan Hawke in one of the most simplistic love letters to the sub-genre ever filmed. “In a Valley of Violence” doesn’t so much have a narrative as it has a string of events that coincide with one another, leading in to a chain of revenge, violence, and death. Ethan Hawke’s character isn’t a hero, and John Travolta’s character isn’t entirely villainous, they’re both pushed in to unfortunate corners. It then becomes a bunch of scoundrels striking one another down thanks to the actions of one individual who sets up a huge string of events that slam in to one another in bloody chaos. Ethan Hawke stars as enigmatic Paul, a lone drifter who has only his side arms, his horse, and his loyal dog Abbey by his side.
Billy Club (2013)
Drew Rosas and Nick Sommer’s slasher movie is a mixture of “Slaughter High” and “Scream,” where the pressure of sports amounts to a triple murder one summer that scarred a group of friends forever. Said friends were all members of a team once, and now a killer dressed as an umpire is roaming the streets murdering various individuals. The pair of directors is able to keep the killer Billy an intriguing villain as the individual roams the darkness and spends a great amount of time craftily trapping his victims. His weapon is the icing on the cake as it’s a bat covered in rusty nails, and a small slot where a large knife can slide out. This allows for some interesting kills and follows through with the baseball gimmick.
31 (2016)
It’s amazing how a man like Rob Zombie who fancies himself a hardcore horror fan has done little to evolve since his first film “House of 1,000 Corpses.” Every film he’s made since that initial movie has repeated the same beats over and over, just re-arranged in various ways to look new and original. He fills the screen with genre veterans again. He inexplicably sets his movie in a mid-seventies gritty trailer park landscape. The opening of his film is directed by a goofy music video, padding the run time, and he even includes something of a montage with our characters, set to classic rock music as we saw in the finale of “The Devil’s Rejects.” Worst of all, he writes some of the clunkiest dialogue I’ve ever heard, and he is still dead set on placing wife Sheri Moon Zombie front and center.
Head Trip: Alternative Shorts [Brooklyn Horror Film Festival 2016]
Shorty (USA) (2016)
A being that is definitely not human wants to be one but needs to kill humans to feed on them in a manner that is different than the usual in horror movies. As she longs to belong, she meets a man who may be more than sustenance. Writer/director Anna Zlokovic creates a lead character whose origins are unclear but who the audience can care about. The film explores visions/dreams the lead has as well as her life as she tries to survive, something relatable whether she is human or not. This is shot in a manner where some of the scenes have overlaid images on top of basic scenes happening which gives the film a rather striking look.
The Granny (1995)
“The Granny” is the definition of late night cable movie fodder. I saw it twenty years ago very late at night on cable television here in America, and it kind of burned itself in to my brain ever since. Granted, it’s not a masterpiece of horror comedy; in fact it’s so furiously stupid and ridiculous, it’s a film that’ll inspire more eye rolls than laughter. It’s at least worthy of one viewing for folks that enjoy pain with their cinema, though, and years later it’s about as silly as I remember. Star Stella Stevens chews the scenery, adjoining buildings and most of the wildlife up with her role as Granny, a bitter and angry old woman who lives in immense wealth. Unfortunately she was cursed with a vile and greedy family, all of whom are obsessed with counting the days until she finally dies leaving her fortune to them.