The Walking Dead Season 4 Episode 9: After

As much as I adore “The Walking Dead,” it’s always so much better when it focuses on silence and quiet dread. Scenes of Carl walking through a deserted suburb, or Michonne walking camouflaged within a herd are some of the most uneasy moments of the new episode. Much to my surprise, the series has been veering much closer to the comic books than it has been for the last four years, and it’s borrowed some of the best and most compelling story lines involving the aftermath of the prison invasion. There are a lot of callbacks to the first season. There’s a mention of Shane teaching Carl to tie knots, there’s a top down zoom in of a military tank like the final scene of the pilot, and now Rick and Carl have holed up in a house together exactly like Morgan and Duane did in the pilot.

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Pint (2013)

Jackson is the classic wedding guest from hell. He’s immature, rude, obnoxious, and doesn’t mind interrupting a sweet moment during a wedding to let out a bored groan. After making an ass out of himself during the wedding ceremony, he hides at the bar during the reception to drink a pint and then ventures over to his girlfriend and her dad to share a few with them.

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The PC Thug: You Can’t Keep a Good Zombie Down

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Okay, so I know not everyone enjoyed “Land of the Dead.”

Many people I spoke to during the time of its release seemed to hate it, though I persisted in my thoughts that it would eventually gain appreciation, much like “Day of the Dead” eventually did. I fondly remember many people telling me that “Day of the Dead” was a terrible film back in the early nineties, and now it’s considered a classic. Even director George Romero considers it his favorite.

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The Fifth Beatle: The Brian Epstein Story [Hardcover]

There aren’t many music fans that are aware of Brian Epstein and the legacy that he crafted. Though he isn’t as much of a household name as Berry Gordy or Quincy Jones, Brian Epstein created what would be pegged as “The British Invasion,” and introduced the world to the fab four, the lads from Liverpool, The Beatles! Author Vivek Tawdry with amazing art from Andrew C. Robinson and Kyle Baker don’t just craft the story of one of the most incredible music visionaries of all time, but of a man who could never quite come to terms with his sexuality. “The Fifth Beatle” focuses on Brian Epstein’s rise to stardom and eventual discovery of the Beatles, four men whom he felt deep affection for.

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Nurse 3D (2013)

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If there’s anything really good I can say about “Nurse 3D” is that you certainly won’t be bored. Will you be entertained? Well, that’s debatable, but bored? Likely not. I certainly wasn’t bored through “Nurse 3D.” Granted, it’s one of those so bad it’s good exploitation horror movies, but it’s definitely a good time, and kept me watching from minute one. It also has its fair share of gorgeous women including Paz De La Huerta, and Katrina Bowden. Broken down objectively, director Douglas Aarniokoski’s “Nurse 3D” is simply just another obsession horror film, but takes the formula and completely drops it on its head. Director Douglas Aarniokoski films the story in a pulpy glossy lens, that makes the film feel like a neo-noir horror comedy very detracted from reality.

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Shandar – The Shrunken City (1998)

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You have to love how our kiddy duo complain that the bottled city of Kandor–er–Shandar isn’t protected when it’s been seated by hieroglyphs deep in a cave underground. And in Pennsylvania! No one would ever expect a bottled city to be hidden in Pennsylvania. Directed by Ted Nicolaou who brought us many of Full Moon’s more entertaining genre outings, “The Shrunken City” (or as it’s known now: “Shandar–The Shrunken City”) is a entertaining enough for kids, but incredibly convoluted. I was never quite sure what the hell was going on, all I knew was that two kids found the miniature city of Kandor–er–Shandar.

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Bazookas: The Movie (2009)

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If you loved films like “Porky’s,” or “Hot Resort,” then Michael G Leonard’s indie exploitation comedy is right up your alley. It’s as if someone took a script from 1983 and fitted it for modern times, without trimming any of what made eighties films so much damn fun. The gratuitous nudity, shameless innuendo, busty babes running around and frolicking, and the plot of the underdogs battling an evil corporation for control of a community, it all here and then some. You know where the director’s head is when the prologue of the film begins on a racquet ball match between a gym owner’s son and a gorgeous woman and ends on her topless and smashing her chest in to a glass window.

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