One of the many aspects that I love about Ray Comfort’s mercifully short documentary about challenging the views of atheists is that Comfort just eventually gives up. Mid-way through his hour long masturbatory self-promotion fest that doubles as an ego shining for Comfort, he just outright gives up trying to convince his interview subjects and spends about five minutes badgering them in to submission. He relentlessly bugs them in to admitting begrudgingly that they believe in a God, and that they are simply in denial. Ray Comfort is beyond the capacity of accepting that atheists exist, and spends at least a good stretch of the final half of the film insisting: “Come on, you know God exists. Admit it. Admit it. You know it in your heart. You just like to sin, that’s it. Admit it. Do it. Do it!”
Category Archives: Movie Reviews
Legends of the Hidden Temple: The Movie (2016)
“Legends of the Hidden Temple” always had a fun Indiana Jones vibe to it, and was often well loved despite being notoriously difficult for its contestants who deemed it almost impossible to topple. I am one of the many nineties kids who spent a lot of time watching “Legends of the Hidden Temple” and immersing myself in the imaginative obstacles and fun history lessons. While the game show will never be revived for modern audiences, 2016’s cinematic adaptation is a perfect fit for an audience that loved the game show and for everyone else tuning in to see a good fantasy adventure movie. “Legends of the Hidden Temple” garners the right amount of menace and awe that the game show held, and evokes classic adventure films like “The Goonies.”
Capture Kill Release (2016) [Blood in the Snow 2016]
A couple plans their next activity together: To kill a random stranger. As they plan, prep, and discuss the possible murder, they start to disagree on things and it becomes clear that one of them is very into the idea of murder while the other is not so much. Written by Nick McAnulty who co-directed with Brian Allan Stewart, this found footage film does a few things right such as casting two leads that are rather unfamiliar, a move reminiscent of Paranormal Activity, and it shoots in a clear manner, meaning that is happening and said can be clearly seen and heard which is something many film of the sub-genre do not pay enough attention to. This film shows what is happening and the emotions very clearly and it works in its favor as it brings the viewer in and let them get invested in the story.
Holy Hell (2015) [Blood in the Snow 2016]
After witnessing a troubled family, the Bonners, decimated by a murderous family, the MacFarlanes, Father Bane goes on a rampage punishing those he deems not deserving of forgiveness with his new handgun, The Lord. As he punishes left and right and protects the only surviving member of the family, he also decides to go after the murderous, incestuous killers. Written and directed by Ryan LaPlante, Holy Hell throws everything possible at the screen, violence, sex, incest, rape, murder, blood, gore, inappropriate jokes, insensitive jokes, bad jokes, and the whole nine in an effort to be shocking or subversive. This is done with zero good taste and penchant for exaggerated action and ridiculous dialogue.
24×36: A Movie About Movie Posters (2016) [Blood in the Snow 2016]
Illustrated movie posters are explore here through their beginnings, history, the artists behind them, and their recent resurgence started with Mondo and their artist posters of older films that have become highly collectible and wanted. Directed by Kevin Burke, this documentary starts with the history of the medium and interviews with knowledgeable people and artists. This part of the film is filled with historical facts and anecdotal stories. The film spends a bit of time on the history, where posters can from, why are they the sizes that they are, why they look a certain way, their evolution, etc.
Don’t Breathe (2016) [Blu-Ray/Digital]
Director Fede Alvarez’s thriller is a pitch black take on “Wait Until Dark” with a hint of “People Under the Stairs” taking a blind man who turns the tables on perpetrators. This time around though, the blind victim is a very prepared war veteran who skulks around like a predator even in his own home. When he begins challenging the thieves that infiltrate his oddly armed home filled with various pitfalls, he stalks them with confidence, even without eye sight. Stephen Lang’s Blind Man is an oddly horrific and intimidating new horror character who works on his own moral code. Whether or not he’s a villain may depend on the interpretation by the audience, and what they consider pure evil or just pure justification. Fede Alvarez teams two groups of victims against one another in a world that’s taken away all of their futures and ideas of hope.
Killjoy 3 (2010)
“Killjoy 3” is a simultaneous rip off of “Waxworks” and “Nightmare on Elm Street” as Full Moon works desperately to create a new horror icon. Killjoy is a character who, let’s face it, could probably get his ass kicked by Chucky’s son Glenn, if things got hairy enough. Nothing about “Killjoy” makes too much sense, but you have to admire how the movie tries its damndest to transform mimes in to terrifying villains. Set very specifically in one location, we meet four college students as they’re preparing to have a get together one night involving drinks and horror movies in the house of one of their professors. Student Sandy decides to hold a gathering while he’s away, oblivious to the fact that he just made a broken pact with Killjoy.