Perhaps I wasn’t paying attention, or perhaps I was just falling asleep after the first hour of nothing, but I couldn’t understand about sixty percent of what occurred in “Sympathy for Mr. Vengeance.” Whether or not Park actually tells the story jumping from different time to time, I’ll never know, because characters I thought died pop up later, and events that suddenly never happened, leads to something unexpected. Park’s story is awfully disjointed to the point where I couldn’t even catch up.
Category Archives: Movie Reviews
Behind the Mask: The Rise of Leslie Vernon (2006)
He’s a skilled serial killer, a slasher along the lines of Jason, and, oh yeah, he’s a self-promoting sensationalist who wants to become a famous slasher of all things teen. Leslie Vernon lives in a world filled with monsters. He lives in a world where Jason, Freddy, and even Michael Myers wreak havoc on innocent victims and young teenagers. And what does Leslie Vernon want? He wants to be like them. And he’ll go through any lengths to live up to their legacies. And wouldn’t you know it? Director Scott Glosserman is about eighty percent of the way there.
Altered (2006)
These days many people just do not enjoy “The Blair Witch,” and that’s a shame. I still love the movie, and I still think it’s a frightening simplistic horror film about curiosity killing the cat. But in a day and age where gore is on the menu, it’s not hard to fathom why it’d be disliked. “Altered” is an admirable if flawed follow-up from the “Blair Witch” boys that is much different in every sense. Gore and guts are present, as well as a fairly simplistic alien carnage story. Ah, the joys of being a horror fanatic. “Altered” is a good old fashioned horror film, and one that relies on the conventions of typical claustrophobic horror fare to get us through.
Hot Rods to Hell (1967)
“Hot Rods to Hell” is a youth gone wild, sixties morality tale about damn juvenile delinquents raising pure hell on Mr. and Mrs. Americana of the traditional Nuclear family. Before the real free revolution, “Hot Rods to Hell” was another glance at the youth tearing down good old fashioned America, and it was deemed much too risqué to play for television. Made for television, ironically, the studios shipped it out into theaters, and drive-ins and it’s quite a messy little clunker with an utterly simplistic plot. A mixture of “Beach Blanket Bingo,” “Last House on the Left,” and “Leave it to Beaver,” John Brahm’s “Hot Rods to Hell” sets down on a family called the Hills who go on a road trip to move to the desert. On the way there they come across a group of sadistic hot rodders who really want to make their lives a living hell from now on.
Rosario Tijeras (2005)
Flora Martinez, aside from being absolutely beautiful and incredibly sexy, also provides a very good performance for “Rosario Tijeras” as the tragic and sometimes despicable Rosario who objectifies men the way she was objectified all of her life. She’s a being incapable of genuine love, and also seems incapable of finding true love. She’s someone who is used for her body, and carried around like a trophy, thus leads her own downfall in the face of her diminishing personal welfare. Her constant manipulation of her male counterparts is often achieved through her irresistible sex appeal, and this will often leave male audiences at a crossroads. The surefire draw should have been the lovely and vivacious Flora Martinez, who is an interesting choice for the lead of this snake of a woman. But then, at the end of it, I was pretty anxious to shut it off and move on.
Maniac (1980)
“Maniac” is a different kind of slasher film, one so incredibly vile and utterly wretched that you’ll be forced to decide if you enjoyed this or not. I experienced the same conflict of decision. Did I enjoy this or not? I’m not entirely sure, but a good part of me says “yes.” At a time when the Son of Sam was still fresh on everyone’s minds, “Maniac” is the closest depiction of a madman on the streets that we’ll ever get again. We don’t just watch this madman destroy folks, we learn about him, and we get into his mind.
29 Reasons to Run (2006)
I’m sick of road trip flicks, I’m sick of coming of age flicks, and with all due respect to our indie audience, I’m sick of movies about relationships with narration. “29 Reasons to Run,” however, completely made me re-think that thought process. I shouldn’t write off the road trip flick just yet. That would be unfair. Weeks’ and O’ Steen’s ambitious film raises the argument for the road trip flick and restores hope that there’s still a lot more to be done with the sub-genre. In some moments it can resemble an ABC drama, but I don’t hold that against it. “29 Reasons to Run” is about two men facing a dead end in their life, and decide they have to travel the road, which may be great for a novel “Sideways”?