Masters of Horror: Family

So far, the second season seems to be attempting to make up for the mistakes the first season made, and the two directors with the worst episodes of the first season, end up creating better episodes this time around. Landis whose episode, “Deer Woman” was basically a lightweight horror effort, makes up for it with the excellent installment “Family.” Harold Thompson loves his family. He lives in his large house in the middle of a bright suburb, and he keeps his family closely guarded and drawn away from human eyes, and there’s a good reason for that.

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Hard Boiled (Laat Sau Sen Taan) (1992)

hard-boiled

“Give the guy a gun and he’s superman, give him two and he’s God.”

The nineties were a time of some of the greatest movies ever made; years from now movie buffs will recollect how the nineties brought about some of the greatest films in history. One of which will be “Hard Boiled.” While Woo’s crime drama may not be the greatest action movie I’ve ever seen, it sure is excellent. Plus, it’s not surprising it’s been considered a classic of the genre, and catapulted Woo as a legend. Great action movies are timeless; ‘Scarface,’ ‘Dirty Harry,’ ‘The Getaway,’ and John Woo’s action epic “Hard Boiled” has yet to show any age at all, considering it was made at the start of the nineties. Woo’s action film is a wonderful cocktail of brains and fantastic action that will  keep you glued to your seat.

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Beyond the Sea (2004)

You have to appreciate Kevin Spacey’s willingness to give a dedication to Bobby Darin. “Beyond the Sea” basically came and went into theaters, and is still an apparent work of love from the man. Sadly, it’s also a pretty bad film, and utterly grueling to sit through. This is not based on some close-minded thought just because it’s old music. This is because the film is actually quite bad. I like Bobby Darin’s music, but Spacey is basically all over the map with his pet project.

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Bubba Ho-Tep (2002)

AtiofHxFJO9RjgJmSqhtG7kqAVcFor a film so set on camp, and only camp, Coscarelli dials the campy atmosphere down to about a four most of the time. He even manages to paint his character who thinks he’s Elvis as a rather dignified person. The entire concept of “Bubba Ho-Tep” is rather original. There’s a soul sucking monster at an old folks home, and to discreetly suck life, and not be noticed, it’s taking the remaining life from the residents there, and no one is drawing much of a stir. But Elvis and the black JFK decide it’s about time to stop this monster before they’re next in the war path of the undead mummy. “Bubba Ho-Tep” is a lot less a horror film, and much more of a film about the horrors of getting old.

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City of Rott (2006)

cor1bDon’t be fooled, its goofy animation isn’t a sign that it’s for kids. This is strictly an adult affair, folks. Imagine “South Park” played with a straight face, imagine Romero’s “Dead” films without a plot, and you’ll get Frank Sudol’s “City of Rott.” An old man is the basic hero for Sudol’s zombie epic in which a new toxin discovered in water creates a citywide epidemic of flesh eating zombies that are rotting from the inside out. Armed with only a walker, which is his best friend, his means of conveyance, and his weapon, he looks around for some new loafers to help his ailing feet, but he can’t stop running into those stupid zombies, and the parasites that leak from the bodies when destroyed.

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Masters of Horror: The Damned Thing

What do you know, after a long break, “Masters of Horror” returns. With a season of ups and downs, and mostly downs, the premiere is backed by the one and only Tobe Hooper whose last entry “Dance of the Dead” left much to be desired in terms of intelligence, coherency, and all around entertainment value. “Masters of Horror” was a season of safe scares, and that’s a shame. Is this season premiere any better? Yes. Yes it really is. “The Damned Thing” has everything that was missing from the first season. There is a substantial amount of engrossing story, wonderful characterization, a stern tone, and cogent direction a la Hooper who rebounds from the abysmal “Dance of the Dead.” After his father goes on a violent fit of rage suddenly, killing his mother on his birthday, Kevin Reddle, now a sheriff, is preparing for “the damned thing” to come, but how prepared is he?

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