Douglas Fairbanks presents Alexandre Dumas’ The Three Musketeers (1921): 95th Anniversary Edition (DVD)

Courtesy of Undercrank Productions, “Alexandre Dumas’ The Three Musketeers” starring Douglas Fairbanks garners a brand new DVD restoration. With a new score by Ben Model (along with new color tinting digital restoration, and stabilization), and with restoration by Karl Malkames, “The Three Musketeers” can be appreciated in a new edition and new vision. One of the many iterations of the classic action tale, “The Three Musketeers” stars film icon Douglas Fairbanks as the noble swordsman D’ Artagnan a young man who goes to Paris to become an ally to three of the best swordsmen alive. They are, of course, Athos as played by Leon Bary, Porthos as played by George Siegmann, and Aramis as played by Eugene Pallette.

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XXX: Return of Xander Cage (2017)

Yes, believe it or not, the “XXX” movies now have a mythology. And a back story. And supporting characters. Now that America has officially found the “Jason Bourne” series a bit worn, Vin Diesel makes his return with his clunky and ridiculous “XXX” movie series, reprising his role as the rebellious, bald, smart ass anti-hero Xander Cage. This is a break from playing the rebellious, bald, smart ass anti-hero Dominic Torreto, and the rebellious, bald, smart ass anti-hero Riddick, and–the rebellious, bald, smart ass anti-hero in “Babylon A.D.” After the unwatchable dumpster fire that was “XXX: State of the Union” the studio brings Diesel back to prop up a light reboot and sequel of “XXX” that also opens up a world for more movies of this ilk.

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Fists of Fury (2017)

The beautiful but deadly Cynthia Rothrock is back with another of Full Moon’s great compilations entitled “Fists of Fury.” At a little over a hundred minutes, “Fists of Fury” features clips to a ton of famous and infamous martial arts films that tackle all kinds of topics far and wide. There’s “Female Fighters,” the funny but awkward “Brucesploitation,” and “Deadliest Weapons,” movies with some of the most unusual and dead weapons in all of action cinema.

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Kubo and the Two Strings (2016)

“If you must blink… do it now!”

It just serves to prove my theory that bad animated movies can be excused since they’re “for kids” is a cheap cop out meant to let crap pass by us. Animation studios are providing amazing kids fare, including Laika who seemingly snuck out of nowhere to deliver yet another stop motion children’s masterpiece. “Kubo and the Two Strings” is probably their great animated stop motion achievement to date. It’s an immense, epic, and heartfelt ode to the art of storytelling and the power of memories. It’s teeming with fantastic Asian folklore offering a very respectful view of its characters, and creates a wonderful hero who is capable of defeating evil not with his fists or guns, but with magic and his ability to think outside the box.

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Max Steel (2016)

I wish Mattel would stop forcing Max Steel on the unsuspecting American public. After many years, the company insists on introducing this action figure line in its new forms, and it’s exhausting to say the least. Back in 2000, Mattel re-introduced Max Steel in a very entertaining CGI cartoon with the main character as a cybernetic spy–because CGI and spies were big in the early aughts. When trends shifted, Mattel re-re-introduced the character in 2013 in to a younger character and in the mold of a pseudo-Iron Man since Iron Man has changed how movie studios approach science fiction now. After that failed, Mattel has given us Max Steel once again, and turned him in to a cybernetic superhero with an enigmatic past. This Max Steel is an amalgam of Guyver, Iron Man, and Star Kid, and is an infinitely grating, and ugly kids film.

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Rogue One: A Star Wars Story (2016)

Warning: Spoilery and long review by a self-admitted Star Wars fan (with Stormtrooper tattoo to prove it).

A small group of rebels sets off to go retrieve the plans to the Death Star after receiving a communication that seems to indicate that they will be the downfall of the Empire in this sequel/prequel/side story to the Star Wars prequels/original trilogy.  Touted as the first standalone Star Wars, Rogue One is heavily entrenched in the Star Wars lore and fills in gaps and what could have been considered plot holes in the past.  The story here is easily to follow for people who may have never seen a Star Wars film, but it feels like a story built for the fans of the franchise.  The story feels like a Star Wars one and the characters feel like they belong in the universe with many cameos and full presences by some very familiar faces and names.  This leads the story to feel familiar and yet the changes, the connections that could have been or the additions or who knows make it feel like something is missing to the story.  Rogue One is a hard one for this review to fully embrace while wanting to, which is an odd place to find one’s fan brain in.

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Rogue One: A Star Wars Story (2016)

While I wasn’t keen on Disney and Lucasfilm approaching the prequel so quick in to the rebooting of the series, “Rogue One” really serves us one of the most important chapters in the fall of the Empire beautifully. While “Rogue One” certainly isn’t a perfect film, it sure is a fantastic action adventure that attempts to break the mold. Gareth Edwards transforms his tale of the stealing of the plans of the Death Star in to a last stand mission in the vein of “Saving Private Ryan” and “Inglorious Basterds.” Though director Edwards offers up the usual nods to “Episode IV: A New Hope,” thankfully “Rogue One” also manages to stand firmly on its own. It’s a compelling tale of the rebellion, and pure evil trying to maintain its strangle hold on the galaxy.

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