After thirty years, “Once & Always” feels a lot like not just a tribute to the fans of the “Mighty Morphin Power Rangers” but some much needed justice. As many know, David Yost was horribly bullied when he originally joined “Power Rangers,” while Walter Jones was poorly utilized. So it’s no big surprise that the special centers mostly on Zack and Billy, two of the remaining elements of the original “Mighty Morphin Power Rangers.”
Tag Archives: Revenge
Dead Silence (2007): Collector’s Edition [2 Disc 4K UHD/Blu-Ray]
I think with the massive reputation James Wan has built, as well as the large success he’s had with genre films, the modern horror icon’s weaker works have aged well. “Dead Silence” was initially considered one of Wan’s lesser genre fare, but in light of a lot of his contemporary entries, “Dead Silence” has come full circle. It’s now become a somewhat underrated genre gem, and I think in spite of its obvious flaws, it’s another of James Wan’s ace horror films.
You Have to See This! Becky (2020)
Streaming on: Paramount Plus, Amazon Prime Video, Hulu, Redbox
When it comes to revenge pictures, there’s no beating the wrath of a female scorned. Even worse there’s no beating the wrath of female child scorned. The whole concept of a child unleashing their wrath is an underused trope in Hollywood and it’s a shame that there aren’t more of these pictures (There is “The Aggression Scale,” though). For what it’s worth we have Cary Murnion, and Jonathan Milott’s “Becky,” a considerably schlocky but vicious bit of revenge fare that I just love.
Winnie-the-Pooh: Blood and Honey (2023)
One of the things I hate worse than a bad horror movie is a boring one. I can take that the producers of the film took the IP of “Winnie the Pooh” and turned it in to a slasher flick. People have been doing that for decades, and now with “Winnie the Pooh” in the public domain, we’re going to get so much more Winnie the Pooh iterations. The problem with “Blood and Honey” is that it’s boring. It’s so woefully boring and uncreative. How do you have a chance like this and blow it on such a dull run of the mill slasher flick?
V/H/S/ 99 (2022)
The newest installment of the “V/H/S/” series was a welcome treat for me back in 2022, as I have always been a fan of the film series. With the popularity of lo-fi analog horror, “V/H/S/” can still have some good shelf life, and spin some damn good horror segments down the line. “V/H/S/ 99” sadly stumbles here and there in what is probably the weakest entry of the movie series to date. The great segments outweigh the weaker entries, but that’s not saying too much when even the better segments aren’t really as spectacular as something like “Safe Haven” from “V/H/S/ 2.” Even the framing device for the segments never quite comes full circle, in the end.
The Son of The Stars (Fiul Stelelor/Ultima Misiune) (1987)
One of the advantages of boutique physical releases is that American audiences are able to check out films that they wouldn’t have otherwise been able to before. This year, the never before officially released in the U.S. “The Son of the Stars” makes its way to American shores. The animated adventure described as a “wild mid-80s mash-up of The Empire Strikes Back, Alien and Tarzan” was directed by the creative team of Călin Cazan and Mircea Toia, and features a pretty trippy original score by synth-rock pioneer Stefan Elefteriu. I can safely say while you can see the “Star Wars” influences dripping all over it, it’s a wild experience for any animation buff.
You Have to See This! Dead Man’s Shoes (2004)
“When they get to heaven they’ll be forgiven. God will forgive them and let them in. And I can’t live with that.”
I’ve been a fan of Paddy Considine’s since I saw him in his utterly frightening performance as a mentally imbalanced recluse in “A Room for Romeo Brass.” I also loved him in the schmaltzy albeit well-intentioned family drama in “In America,” and he flexes his keen ability to be both menacing and vulnerable with Shane Meadows’ “Dead Man’s Shoes”. Meadows’ revenge thriller is a very visceral revenge film that delves in the fall out from the breaking of a cardinal rule: Don’t ever fuck with a man’s family.