The Last to See Them (Gli Ultimi Viderli Vivere) (2019) [Cinepocalypse 2019]

Director Sara Summa paints “The Last to See Them” as the anti-thriller, it’s the calm before the storm, as four family members living in a remote farm in the Italian countryside are doomed to die horrendous murders in the middle of the night. What we see is the hours leading up to their death as… well nothing happens. Absolutely nothing happens. Director Sara Summa’s “The Last to See Them” has all the ingredients for a brutally creepy, and unsettling thriller but it amounts to a disappointingly empty posturing of the antithesis of the genre.

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Attack of the Demons (2019) [Cinepocalypse 2019]

In a small, isolated town, a green glowing blob of sort attacks animals and humans alike, turning them into a mass of evil that swallows all in its path. Trying to survive this, a local young man, a visitor, and a young lady team up to try and outrun the take of over of this town during its yearly music festival.

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Achoura (Achoura: La Nuit des Enfants) (2018) [Cinepocalypse 2019]

It’s only a matter of time until everyone begins to compare “Achoura” to “Stephen King’s It” mainly because they’re so thematically similar and share almost identical story beats. On its own, “Achoura” is a fine horror thriller that explores the loss of innocence, how fleeting innocence is for children, and how the past almost always catches up to us. As a symbol of the very heavy commentary is the rather spooky and interesting monster of the film, the Bougatate, that’s less a figment of imagination, and more a living darkness that devours kids’ joy, and fear.

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Ma (2019)

We don’t have nearly enough horror movies about the aftermath and fall out of bullying and how often times bullies can destroy us. We’ve had “Slaughter High” in the past, but we’ve come around to sharp thrillers like “The Gift” and “The Final” which depict the victim less as insane, and more as broken people. “Ma” is kind of that film that approaches the very themes, but never quite knows what to make of its titular villain. “Ma” is a sharp thriller with a killer performance from Octavia Spencer that manages to rise above a narrative that’s very confused about what it’s trying to say.

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