It’s a shame that “The Good Dinosaur” will forever be regarded as one of Pixar’s black sheep titles. Because as a whole it’s one of their most original and unique tales that channels the modern Western to invoke a tale about family, getting over one’s own shortcomings, and learning that life is often senseless and unfair. Pixar uses the aesthetic of the dinosaur to help induce the idea of nature and how the environment around us is both an element we must fear and respect in the long run. As with most Pixar films, “The Good Dinosaur” doesn’t justify the idea of death with simplicity, nor does it coddle the intended target audience. It instead takes us through a large journey and tells us that yes, life is hard, yes life is very unfair, but that doesn’t mean we have to stop living.
Category Archives: Movie Reviews
Just One Drink (2016)
Director Andrew De Burgh does a good job channeling the classic revenge pictures that focuses on what’s going around eventually coming back around again. What I find fascinating about “Just One Drink” is that there aren’t any clear protagonists or clean cut noble heroes. Director De Burgh doesn’t really side or empathize with any one character per se, except examines the almost destructive and chaotic path of vengeance that can steam roll through people’s lives.
Refuge (2016)
Andrew Robertson’s post apocalyptic drama is quite the accomplishment. it’s almost like a zombie film without the zombies, focusing primarily on the threat of mankind and how ugly we can be when the resources run low. Robertson’s film presents a villain in every person that the family we center on meets, and how vile people can be when they’re hungry and dehydrated. “Refuge” is set directly after a pandemic involving a plague that is untreatable with any known antibiotics. After most of the population is wiped out, the rest of mankind is left foraging for food and trying to maintain some sense of humanity.
Prehysteria! 2 (1994)
Like every studio, Moonbeam and Charles Band were seeking their fortune with their own version of “Home Alone” that would bring in the big bucks. With sub-par efforts like “Remote,” there was also the “Prehysteria!” movies which always featured the owners of a foursome of miniature dinosaurs battling evil grown ups of some kind. Set immediately after the original, the foursome of dinosaurs now live with their new family The Taylors in the green house. Seeking to have their chance to feast on the family’s large crop of raisins, they’re accidentally scooped in to a large crate and sent off for shipping by local farmers. Luckily, they’re discovered by bratty but lonely rich boy Brendan, who befriends the miniature dinosaurs, and tries to keep them a secret from his mean house keeper Miss Whitney.
Deadpool (2016)
Superhero movie fatigue, my balls.
“Deadpool” is proof positive that the comic book movie is alive and well and prone to various iterations of the comic book movie mold beyond capes, tights, and bat ears. “Deadpool” is one of the most anti of anti-heroes ever conceived. He’s a man who works for any side that’s appealing to him, and you can never quite pin down whether he should be a friend or foe. Wilson like Marvel comrades The Punisher and Iron Man are never villainous, but also not the clean cut superheroes we’d expect. In the end, Wilson is about self gratification, even though he tells himself that his intentions are pure. He’s a man who loves being vile and obnoxious. Even Wade Wilson during the opening of “Deadpool” explicitly states that he is by no means a hero, and we’re given extensive insight in to how he lived his life before he became the “merc with the mouth.”
Beat Street (1984)
I liken “Beat Street” to “Saturday Night Fever” in where both films, set in the Bronx, feature very talented youths with troubled home lives trying to fulfill their promise and chase the American dream. While “Beat Street” is nowhere near as timeless as the former film, director Stan Lathan’s drama is an entertaining, if exaggerated look at life in the Bronx, and the culture that would eventually die with the decade. The film produced by Harry Belafonte doesn’t have the same committee constructed, consumer pandering aesthetic that the “Step Up” movies do. But for all intents and purposes it tend to shine the light on actual minorities living in the Bronx, some of whom can barely make rent, but still drive themselves on their love for their work.
Zombie Fight Club (2014) [Blu-ray]
While I’d say “Zombie Fight Club” is not the worst zombie movie ever made, it’s definitely up there in the top five. Joe Chien’s zombie, comedy, action… horror movie (?) is so painfully written and poorly directed, it watches like an amateur production from a failed film student. The script watches like it was put together in five minutes with a bunch of concepts that never ever mix together in to a coherent or remotely entertaining movie. Explaining the premise would be like listening to a child with ADD talk as if they’re trying to cram a whole hour’s worth of nonsense in to two minutes. There’s Singapore, and a high rise where a gang of drug abusers are living. The leader of the gang gets a bag of bath salts; said bath salts mysteriously turn the users in to flesh eating zombies.







