It’s hard to believe that a film I had considerable trouble sitting through without covering my eyes was directed by Corbin Bernsen of all people. This is the man who takes pride in starring in some of the worst horror movies ever made, and here he’s directed a film that has outweighed its double “Pontypool” in every aspect. While many were out celebrating the existence of the indie horror film about a radio DJ experiencing the end of the world through the radio, I sat waiting for something better from this concept and wouldn’t you know it? Here comes “Dead Air,” a movie that possesses basically the same concept and story and pulls off much more suspense and tension than “Pontypool” actually does.
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District 9 (2009)
“District 9” has a definitely unique take on the alien invasion sub-genre that switches the tables on the old dichotomy between humans and aliens and it does it so well and in such a unique method that it is in a constant struggle searching for a protagonist to spotlight. But as most political situations involving illegal immigration and government, we rarely have someone we can root for or find empathy for. “District 9” is that skewering of illegal immigration and lower class struggles that makes it definitely one of the best films of 2009 and without a doubt one of the best science fiction films ever made. Blomkamp and company take the premise and fit it in to the sub genres of found footage films and alien invasions and rarely ever misses a beat between the changes in gear.
The Day the Earth Stood Still (2008)
I’ve either pretty much come to terms with the fact that Hollywood will remake anything, even the heavyweights of the film world. Or maybe I’m just too numb (and am coming down with Stockholm Syndrome) to care about treasured movies being given botched remakes. I should be angry, but I’m not. I came to terms with Hollywood’s xerox machine a long time ago. I instead have chosen to take modern remakes and look at them as their own entities, a copy that doesn’t necessarily have to stick to the original source material to be good. How do you remake a nearly seventy year old movie and stick in modern times? It can’t be too easy, and if you’ve seen this remake you’ll realize that most times it’s nearly impossible.
Drag Me To Hell (2009)
Cast aside all PG-13 biases folks, you’ll be glad to know that even with the rating, “Drag Me to Hell” is one of the finer horror movies released this year. It marks a come back for Sam Raimi who finally returns to the genre that made him and reminds us why he’s one of the greats. While gore is always fun, most times horror excels because of good storytelling and Raimi doesn’t dole out the gore, instead opting to tell a very good horror story that hearkens back to “Thinner.” It’s a classic horror comeuppance tale with themes of karma and revenge that takes advantage of old horror tricks without ever really trying too hard to scare us.
Dragonball: Evolution (2009)
Well, here’s the odd news. Director James Wong and Twentieth Century Fox seem to rely heavily on mimicking the “Spider-Man” movies by turning our hero Goku in to a new age Peter Parker who has immense power and responsibility with every reason not to use them on his foes; pair that with a Luke Skywalker death scene and you have a mélange of influences with no bond that keeps the film from falling apart from the seams. That is until the day comes when a force of evil conveniently gives his training a purpose. Had “Dragon Ball” been adorned with a different name and a completely different set of characters, it wouldn’t actually be so bad, but when you make the inevitable comparison to the anime, the flaws are quite obvious and ridiculous.
The Dark Knight (2008) (Deluxe Edition DVD)
There have been almost two editions of “The Dark Knight” on both DVD and Blu-Ray. I’m happy to admit that they’re all warranted releases. Not only does Warner give us one of the best comic book movies ever made along turning Batman in a tragic tale of becoming a hero in situations he’s just not sure he handle. Take for instance the explosions in the hospital. What I love about the joker here is not that he has a distinct love for violence and doesn’t come with a sub-plot where we’re supposed to sympathize for his life story unlike the “Spider-Man” movies where villains couldn’t just be villains.
Dance of the Dead (2008)
Take the attempted humor and characterization of “Shaun of the Dead,” the central plot behind the second half of “Night of the Creeps” and team it with “Return of the Living Dead” and you have yourself a sick and rather amusing little hybrid known as “Dance of the Dead” yet another zombie movie that branches off from Simon Pegg and Edgar Wright’s universe and tries for the same comedic momentum with a modicum of teen angst that doesn’t always work, but is nonetheless a fun indie romp. Let’s face it, the zombie genre is all but a skeleton of itself but that doesn’t mean director Gregg Bishop doesn’t give it the old school try by making his version of the Pegg-Wright romzomcom.