Getting Gas in Zombie Apocalypse (2013)

Director Matt Devine follows up “Shopping in a…” with another fast paced and creepy short entitled “Getting Gas in Zombie Apocalypse.” that now follows character Ben. Ben is a masked rider on a motorcycle who has been sent out to siphon gas from abandoned vehicles. Filled with just as much skill and finesse as his teammates, he indulges the new world of the walking dead with bait that’s met with a vicious surprise. Devine is once again a master of unfolding action sequences, and this short is no different.

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Ghoulies III: Ghoulies Go to College (1991)

ghouliesiiiThis is about as low as sequels go. At least for third rate horror franchises. “Ghoulies” was never sure what the hell it ever wanted to be, and “Goes to College” shows. The third part in the series shows them as nothing more than annoying little monsters that wreak havoc by inflicting pain, though never really murdering anyone. In fact they’re really nothing but third wheels in what feels like a stale campus comedy about prank wars with the Ghoulies attached for a wider audience. Before the ghoulies actually pop out to terrorize people, “Ghoulies Goes to College” watches like a fourth rate “Revenge of the Nerds” wannabe, about two warring frats and their ever lasting prank war.

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Godzilla (2014) [Blu-ray/DVD/Digital]

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Warner Bros. Pictures were wise to hire Gareth Edwards to film what is essentially a reboot of the Godzilla series for American audiences. Director Edwards displays a knack for depicting giant monsters as forces of nature that affect civilization, and he carries a lot of the sensibilities from “Monsters,” over in to the reworking of “Godzilla.” His version of “Godzilla” is less monsters stomping around and fist fighting, and more of a disaster film with a slew of human beings affected by the chaos that two monsters inflict when they rise from their gestation to feed on radiation around the world and wreak pure chaos. “Godzilla” is a sterner and dramatic approach to the lore, offering a very interesting dynamic between characters, all of whom carry through the themes of family and unity among the human race. Particularly fatherhood.

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Get on Up (2014)

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Get on Up is the latest Hollywood biopic and this one follows the life and times of the godfather of soul, the hardest working man in show business, James Brown. He is played brilliantly with great energy, enthusiasm, and electricity by 42’s Chadwick Boseman, who also played Jackie Robinson. He IS James Brown and he is the lifeblood of the movie. Every moment he’s on screen, you are captivated by his performance and what he brings to the table. While he doesn’t sing the original songs himself, as he is lip synching, he does bring the dance moves and overall essence of James Brown to the big screen.

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Ginger Snaps (2000): Collector’s Edition [Blu-ray/DVD]

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Great werewolf films are hard to come by, so it’s a shock to see such an under the radar low budget horror film like “Ginger Snaps” not only get the formula right, but make its own mark in the sub-genre. Most times, the entire werewolf motif has been used to convey feelings of oppression and unbridled savagery as we saw with “The Howling,” and “The Wolfman,” but director John Fawcett aims toward a more feminine message. This werewolf film is about lycanthropy as a metaphor for blossoming in to womanhood. With such overtones and outright straight forward explorations of the themes, “Ginger Snaps” surprisingly knows how to balance its narrative themes well.

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Go Go Mania (1965)

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It all started with the Beatles. From there it was a slew of really interesting British Invasion groups, and singers, many of whom ranged from absolutely abysmal, to quite unique. It’s a shame many of these bands never quite garnered the legacy that the Beatles did, but “Go Go Mania!” has value, if anything, in showing how many bands climbed out of the woodwork to claim their own fame once the Beatles stormed America.

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Gone in Sixty Seconds (2000)

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How do you take one of the more unique race car films from the seventies and destroy it? Remake it with a bland story, add a very adult cast of Nic Cage, Angelina Jolie, and Vinnie Jones, and slap a PG-13 rating on it. Also, turn it in to a lame ass action comedy, for extra insult to injury. “Gone in Sixty Seconds” from 2000 is an uneven and fairly tedious action comedy that has all the edge of a crime thriller, except it’s suitable for teenagers, a crowd that will appreciate director Dominic Sena’s insistence on imitating Michael Bay.

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