Deep down, “Teen Beach Movie” feels like a loving and affectionate tribute to Ex-Mouseketeer, the late great Annette Funicello (to which the film is dedicated to). The gorgeous and talented actress spent her early years on the Mickey Mouse Club winning over the hearts of young boys, and then moved in to some of the most pulpy and celebrated surf movies. Those movies like “Beach Blanket Bingo,” and “Muscle Beach Party” featured a lot of music, simple plots, and were a celebration of surfing. With Frankie Avalon, Funicello gained immortality. What’s even more surprising is in many respects, Maia Mitchell resembles Annette Funicello. When she begins puffing her hair with her pigtails, and transforming in to the movie, she’s almost a living embodiment of the lovely young Funicello. The movie was being filmed before Funicello passed away, so perhaps it’s just all one big coincidence. Or perhaps it’s just serendipity.
The Farrelly Brothers, after a long stretch of production issues, have seemingly taken The Three Stooges and turned it in to their own unofficial sequel to “Dumb and Dumber.” Except the Three Stooges are now the unofficial ancestors to Harry and Lloyd, three inept and woefully moronic men unaware that everything they do is beyond social norms. The world around them is vastly different to the world they inhabit. With a shockingly respectable cast of folks like Jennifer Hudson, Jane Lynch, Larry David in drag, and model Kate Upton (mainly cast for a money shot of her in a bikini), the Farrelly’s come with all guns loaded for the sake of keeping the comedy moving non-stop. As a hardcore fan of the trio, I was open to the potential that the Farrellys would do justice to the classic comedy team, and thankfully they pull it off for the most part.
Director Cullen Hoback’s “Terms and Conditions May Apply” is one of the most important films made in years. It is also the most important film made this year. In an age where everyone and their grandparents are connected to some form of personal computers and are freely relinquishing personal information for the sake of using some novelty program, director Cullen Hoback explores in his film how the click of one button will destroy not just your freedom, but the entire world’s freedom.
Originally I was very upset at the notion of a “Texas Chainsaw Massacre” back in 2003 when it was announced. The original is so perfect as is, it’s tough to think that someone would try to top it. Thankfully the remake didn’t top it, and after watching it I realized my antipathy toward it was pointless because “Texas Chainsaw Massacre” is one of the many genre classics that’s been unofficially remade almost a dozen times already. So what’s the big deal? And as much as I enjoyed the sequels, they also couldn’t quite top the original film. And Tobe Hooper was behind the second film, oddly enough.