Puppet Master 5: The Final Chapter (1994)

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“The Final Chapter” of the Puppet Master series isn’t the final Puppet Master movie, but it’s definitely the final installment of the true series for me. I consider the rest of the installments nothing but filler and greatest hit clip compilations. In the first two films, we watched the evil puppets and their master Toulon wreak havoc, part three was the origin of how Toulon became evil and how the puppets were once capable of good, and the final two installments are Toulon and his puppets redeeming themselves by saving the world from interdimensional demons.

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Aftershock (2013)

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Have we reached so low down the totem pole that we’re now ripping off Eli Roth movies? Is that the definition of desperation or what? “Aftershock” feels like one of those situations with “Poltergeist” where Eli Roth was ghost directing while Nicolas Lopez was credited as director. It’s a half hour of a lame tourist dramedy, followed by an hour of really silly gore and zero direction in its story, all leading in to a finale that shamelessly rips off the final scenes of “The Descent.” Thank goodness “Aftershock” is a merciful ninety minutes.

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Diabolique Magazine No. 18 (Nov/Dec 2013) [Magazine]

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I think in a past life I was a doomsday survivalist, because you just have to say “apocalypse” and my ears perk up with interest. The November/December issue of “Diabolique” is all about the apocalypse, and how it’s been depicted through various forms of film, television, and literature. And it’s not a slapdash compilation of articles. As is the case with “Diabolique” the articles about the popularity of apocalyptic entertainment in today’s media are beautifully written and insightful. And you can’t really scoff at their dedication to “28 Days Later” and Richard Matheson.

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Exhumed (2011)

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Director Richard Griffin’s horror thriller about a demented and warped family comprised of people that simply can not leave their home is an often enigmatic, perplexing, but excellent horror film. I often found “Exhumed” to be a brilliant spin on the “Spider Baby” with a Lynchian atmosphere that worked quite often. From the black and white palette, to the intricate play with shadows, “Exhumed” is constricted to one setting, but feels as if we’re in an entirely new and horrific world.

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Choosing Sides (2013)

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Director Lee Loechler’s comedy short is a hilarious and beautifully acted statement about the lengths parents will go through to bring their child over to their religion. And not as a sense of best intentions, but only for personal victory. As someone who spent his entire life being lured to Catholicism through any means necessary by many, “Choosing Sides” is a hilarious commentary on that moment where some parents begin trying to bring their children over to their faith.

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Our Top Ten “The Simpsons” Episodes of All Time: 8. Behind the Laughter

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8. Behind the Laughter
2000
Season Eleven

“Behind the Laughter” is one of those episodes of “The Simpsons” where nearly every single word of the teleplay is quotable. You could pick out your favorite lines, and go through the entire script from beginning to end. It’s a lightning in a bottle spoof of the popular “Behind the Music” series. The often self important VH1 Documentary series gets the Simpsons treatment, profiling America’s favorite family. Ad hilarity.
It also presents a tongue in cheek satire of “The Simpsons” and how they went from a cute animated show to a worldwide phenomenon in the nineties. With immense exaggerations, of course. “Behind the Laughter” is a look at how the family grew in popularity and their inevitable saturation on pop culture. The writers are never afraid to mock the actual Simpsons’ over abundance of popularity in the nineties, profiling their goofy music albums (they actually had albums), enormous roster of guest stars, and their often contrived episodes that put new twists on characters. Including the episode where we find out Principal Skinner is not actually Skinner.
There are numerous hilarious moments to be mined here, from the creation of Homer strangling Bart as a popular gag, Richie Rich replacing Bart in future episodes of “The Simpsons,” Bart’s paying Lenny and Carl to kiss, to their pondering “Hey, did we ever get that money?” There’s also Homer’s declaration “Fame was like a drug, but what was even more like a drug, were the drugs.” Host of “Behind the Music,” Jim Forbes, even takes part in the fun with nuggets like “But reckless spending and interracial homoeroticism were just volume one of the Encyclopedia Self-Destructica.”
With a guest spot from Willie Nelson, “Behind the Laughter” is never afraid to take shots at stunts from “The Simpsons,” mocking them with sharp writing, all the while fabricating endless bits of witty and laugh out loud gags. That includes the Simpsons living in MC Hammer’s old mansion, Marge singing her version of “I Shot the Sheriff” (with a smile!), and Lisa’s accusation that the family gave her anti-growth hormones. Prompting Homer to argue “That’s ridiculous. How could I even get all five necessary drops into her cereal…? What?”

Ruby and the Dragon (2013)

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While I really like what “Ruby and the Dragon” seems to be setting out to do, I was never quite sure what director Phillip Jordan Brooks was hinting toward with his resolution. This makes “Ruby and the Dragon” a bit foggy in its intent, and what it’s all supposed to mean. “Ruby and the Dragon” is a short film about a young girl named Ruby who lives in a fantasy world. And why wouldn’t she? Her life is just one miserable event after the other.

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