Twister (1996) [4K UHD/Digital]

Available from Warner Home Entertainment.

Director Jan De Bont is one of the last remaining blockbuster directors that delivered a one two punch of big movies in the 1990’s. After his big debut with the thriller “Speed,” De Bont followed it up with a classic disaster film in the tradition of Irwin Allen. The climate was just right as disaster pictures had experienced a big resurgence and “Twister” hit all the right chords. While it might not be the most complex of disaster pictures, it has a great time staging huge scenes of weather wreaking havoc on land.

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A Quiet Place: Day One (2024)

“A Quiet Place” has managed to balloon in to its own respectable horror/scifi series but through it all has remained an apocalyptic tale about people. Just when you thought you’d seen all apocalyptic scenarios, Krasinski and co have explored a reality where Earth is destroyed by super powerful monsters known as “Death Angels.” They hunt by sound and are merciless when pursuing victims. In spite of running the risk of tiring this premise, “Day One” finds a way to explore a new angle of this alien invasion. Here, director Michael Sarnoski likens the invasion of the “Death Angels” as a horrible catastrophe where in survival relies on isolation and alienation and not unity.

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Every Bugs Bunny Ever: Hurdy-Gurdy-Hare (1950)

Hurdy-Gurdy Hare (1950)
Directed by Robert McKimson
Written by Warren Foster
Animation by JC Melendez
Music by Carl Stalling 

I love “Hurdy Gurdy Hare” because it doesn’t really follow the traditional formula for Bugs Bunny toons. It feels a lot like a callback to the Abbot and Costello show where there’s not a real plot line. There’s just a lot of stuff that happens and Bugs Bunny is at the forefront of it all. Seriously, a lot of stuff just happens with not a lot of the usual Bugs Bunny defending people or whatnot. It’s just Bugs trying to make a living and coming across a devious, greedy little monkey.

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Robbie Ain’t Right No More (2023) [Chattanooga Film Festival 2024]

Funsize Epics Vol. 2 Shorts Block

What is essentially another proof of concept short film, Kyle Perritt’s “Robbie Ain’t Right No More” is a mix of “Death Dream” and “Astronaut’s Wife.” It’s basically a horror movie but deep down it’s ripe with potential to deliver on themes about PTSD, the effects of serving in the military, and the way coming home from the war can change people. It can make them almost unrecognizable in many ways, allowing for an unusual situation.

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The Bootleg Files: The American Film Institute Presents a Salute to Orson Welles

BOOTLEG FILES 871: “The American Film Institute Presents a Salute to Orson Welles” (1975 televised tribute to the iconic actor/filmmaker).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On a VHS label.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

Earlier this month, television audiences viewed the American Film Institute’s (AFI) Lifetime Achievement Award presentation to Nicole Kidman. Unlike the other movie industry awards, the AFI honors focuses its attention on a single person who puts up with lavish praise and some mild kidding before accepting the star-shaped honor.
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Up on the Housetop (2024) [Chattanooga Film Festival 2024]

Funsize Epics Vol. 2 Shorts Block 

Director/Writers Dakota Millett, and Michael Fischer’s horror comedy is a short begging to be made in to a feature film. It’s probably not a coincidence that “Up on the Housetop” feels a lot like a proof of concept short rather than actual short film. I honestly don’t begrudge them for that, because both creators have their fingers on the pulse of what they’re trying to accomplish and what they do accomplish in this short format.

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