BAD MOVIE MONDAY: DEADTIME STORIES (1986)


The review I did for RISE OF SKYWALKER was a bit serious and gloomy. So I’m going to lighten things up a bit and talk about something fun this time. Today’s review is for a movie called DEADTIME STORIES, a horror anthology from 1986 that retells twisted versions of old fairy tales. Well, kinda. They do Little Red Riding Hood, and they do Goldilocks and The Three Bears, but the first story about witches isn’t really based on anything specific. That’s okay though, there’s enough nudity and gore in all three of these stories to make up for any disappointment that we’re not going to be getting a story about Humpty Dumpty as a serial killer or something. The film stars Scott Valentine as Peter, Nicole Picard as Rachel, Matt Mitler as Willie, Cathryn de Prume as Goldi Lox, and Melissa Leo as Judith “MaMa” Baer. It was directed by Jeffrey Delman. It was written by Delman, and J. Edward Kiernan, and Charles F. Shelton.
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Tales from the Apocalypse (2023)

I’m shocked at how great “Tales from the Apocalypse” was, and I say that as someone that loves a good apocalyptic yarn here and there. While I wouldn’t be quick to compare it to “Trick r Treat” as the premise has explained, it manages to stand on its own two feet as  great anthology filled with five great science fiction shorts obvious influenced by the likes of Ray Bradbury, Rod Serling, and Richard Matheson. I’m also glad a lot of the shorts picked for this film aren’t the usual tired tropes, but aim for something so much more meaningful and thought provoking.

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Creepshow (1982): Collector’s Edition [4K UHD/Blu-Ray]

“Just tell him to call you Billy!”

The one, two, three punch of George A. Romero, Stephen King, and Tom Savini is one of best, if not the best example of the horror anthology to date. While many have come before it, “Creepshow” really set the bar high in 1982. “Creepshow” (and its sequel) were basically the Boomer generation snapping back at the censors and government that helped bring down EC Comics and destroy what was a pretty excellent institution that was almost obliterated by puritans and the like. Thankfully “Creepshow” celebrates the whole spirit of EC Comics with a series of stories that practice in the formula of EC with themes about karma, revenge, poetic justice, and crime.

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BAD MOVIE MONDAY: Verotika (2019)

I’ve written at length about what makes a good bad movie, but what makes a BAD bad movie? This is what I’d like to talk about in today’s review because I think I found the perfect example. Here is a movie that is so bad, so incompetent, so mind-numbingly lazy, that I can’t just overlook its flaws and give it the benefit of the doubt like I normally would. This is a movie that is insultingly and aggressively terrible. Yes folks, I’m talking about VEROTIKA.
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V/H/S/ 99 (2022)

The newest installment of the “V/H/S/” series was a welcome treat for me back in 2022, as I have always been a fan of the film series. With the popularity of lo-fi analog horror, “V/H/S/” can still have some good shelf life, and spin some damn good horror segments down the line. “V/H/S/ 99” sadly stumbles here and there in what is probably the weakest entry of the movie series to date. The great segments outweigh the weaker entries, but that’s not saying too much when even the better segments aren’t really as spectacular as something like “Safe Haven” from “V/H/S/ 2.” Even the framing device for the segments never quite comes full circle, in the end.

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The House (2022)

“The House” is one of the most unnerving and abstract anthologies ever made. Despite its stop motion format, and meticulous attention to detail, “The House” introduces a trio of short films that border on horror but explore more interesting themes. The directors choose to change animation forms through the trio of shorts, and they’re all interconnected with a house that’s basically a menacing character all on its own.

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