A sniper duo sent to the edge of a war zone to kill the head of a dangerous organization end up wandering the woods followed by something, before killing the incorrect target from bad intel and needing to stick around until they can eliminate the correct target. Something is definitely following them and getting closer.
Director Tina Satter’s account of the interrogation of agent Reality Winner is perhaps one of the more tense thrillers of the year. It’s filled with so much suspense and tension from the moment Reality Winner pulls up to her drive way. Although the movie is simplistic and relies on a very small cast, Tina Satter is able to evoke a ton of really edge of the seat interplay between the characters. Based on the play “Is This a Room,” the dialogue is based almost completely on the transcripts between the federal agents and Reality Winner, and the respective cast is remarkable.
While “In to the Spider-Verse” demonstrated Stan Lee’s philosophy that anyone can be Spider-Man, and anyone could be a hero, “Across the Spider-Verse” is an exploration of the hero’s biggest mantra. “Spider-Man’s” core philosophy has always been that with great power, comes great responsibility, and with the follow up to the immensely successful “In to the Spider-Verse” we garner a look at the fallout from the abuse of massive power, and how it can corrupt even the best of us.
“Brooklyn 45” is a film that only Ted Geoghegan is capable of. It’s a ballsy, richly developed, and fascinating character study masking as a supernatural horror film. It’s like watching a stage play unfold on film with a seasoned, brilliant cast putting to life an absolutely compelling narrative. While “Brooklyn 45” features ghosts, and poltergeists, and some gnarly gore, it’s merely window dressing for a deeper look at the aftermath of a horrible war, and our grappling with the concept of death. Director Ted Geoghegan has a real flair for ensemble movies and creating genre entries that are just out of left field.
The Japan Society will host the “Destroy All Monsters” 55th Anniversary Screening at 7 pm on Friday, June 16th. Tickets will be available at japansociety.org/film. This screening will take place at New York City, inside Japan Society’s landmarked headquarters at 333 East 47th Street, one block from the United Nations.
I admit to being one of those people that used to kind of zone out during the human parts of the “Godzilla” movies and then really pay attention during the big fights. I’ve always liked “Godzilla” but “Destroy All Monsters” has always evaded me for some reason. When I used to watch it on network TV it never aired, and I always had a hard time finding it on VHS. “Destroy All Monsters” is basically the “Avengers: Endgame” of its time. It’s the all out assault of giant kaiju duking it out and wreaking havoc on Earth, and director Ishiro Honda throws in everything but the kitchen sink.
Full Disclosure: This title was purchased at our own discretion from Severin Films.
Wackiness ensues as an alien meteor housing crash lands in to a forest. Then there’s a weird little boy named Tommy who collects bugs all day. Then there’s a pop band that goes on vacation in the woods. And there’s an old couple in the woods living in a cabin. The aliens are now on the loose in the forest. And there are these armed poachers hungry to kill some animals. And then Tommy (Óscar Martín) finds an egg that he realizes is an unborn alien. Said alien, nicknamed “Trumpy,” is desperate to get back home. How will these hilarious storylines converge? Will Trumpy consume mankind?
One of the best things about “Influencer” is about how absolutely unprepared I was for it. I didn’t know what was getting in to with Kurtis David Harder’s film, as I knew almost nothing going in to “Influencer” and I ended up with what amounts to a pretty slick and tense crime thriller. “Influencer” is a movie that is absolutely disarming and completely out of left field, as director Kurtis David Harder successfully subverts a lot of expectations with thrillers of this ilk. The movie is set in a foreign, mysterious land, centered on two gorgeous American women that are traveling abroad. From that smaller concept, Harder uses this as a launch pad to introduce us to one of the more sociopathic and cunning movie villains that I’ve seen in years.